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<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>A reader to artist Beatrice Gibson's films that explores representations of parenthood, friendship, and disobedience.</b> <p/><i>Deux Soeurs</i> brings together a chorus of voices--from Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros--that explore representations of parenthood, friendship, and disobedience. The book acts as a reader to artist Beatrice Gibson's films, <i>I Hope I'm Loud When I'm Dead</i> (2018) and <i>Two Sisters Who Are Not Sisters</i> (2019), and includes material that had informed Gibson's working process, together with the artist's texts and notes used in both films. Turning to the figure of the poet as a guide in times of chaos, <i>Deux Soeurs</i> presents a framework for an ethics of artistic and social collaboration. <p/>With contributions by Erika Balsom, Mason Leaver-Yap, Irene Revell, Basma Alsharif, Beatrice Gibson, CAConrad, Eileen Myles, Adam Christensen; texts by Alice Notley, Eileen Myles, Robert Sanchez, Robert Glück, Ursula K. Le Guin, Audre Lorde, Adrienne Rich, Pauline Oliveros, and an interview by Adrienne Rich with Audre Lorde<p/><br></br><p><b> About the Author </b></p></br></br>Beatrice Gibson is an artist based in London. Gibson was studio artist in residence at the Whitney Museum of American Art ISP (Independent Study Program) and is currently a PhD student at the Centre for Research Architecture, Goldsmiths, with Eyal Weizman.<br/><br/>Axel Wieder is a curator and writer, and since 2018, director of Bergen Kunsthall, Norway.

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