Continuum Encyclopedia of Popular Music of the World Volume 8 - by John Shepherd & David Horn (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>A comprehensive and authoritative reference to a huge range of American musical styles, from Barbershop to Bluegrass and from Ragtime to Rockabilly.<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>The Bloomsbury Encyclopedia of Popular Music </i>Volume 8 is one of six volumes within the 'Genre' strand of the series. This volume discusses the genres of North America in relation to their cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology, the music industry and political and economic circumstances; changing stylistic features; notable and influential performers; and relationships to other genres and sub-genres. This volume features over 100 in-depth essays on genres ranging from Adult Contemporary to Alternative Rock, from Barbershop to Bebop, and from Disco to Emo.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Volume 8 of the Encyclopedia of Popular Music of the World is a comprehensive and incredibly useful guide to the musical styles of North America. The combination of history and description in the text, with the addition of bibliographies and discographies, makes EPMOW the ideal book with which to survey the vast array of musical genres associated with North America. The entries are illuminating and insightful and provide an unparalleled resource for teachers and students."<br/>Steve Jones, University of Illinois at Chicago Distinguished Professor<br><br>Volume VIII of the Continuum Encyclopedia of Popular Music of the World (Genres: North America) reminds us just how spectacularly varied are the highways and byways of American popular music. This fascinating guide takes us from the Brill Building in New York City to Bakersfield's distinctive country sound; from California's sunny surf music to D.C.'s gogo scene; from the Southwest's technobanda to Louisiana zydeco. Musics that swept the entire continent (rock 'n' roll) rub up against sounds that are the product of a few fertile neighborhoods of a single city (Mardi Gras Indian Music). This is the one indispensible companion for any fan of popular music, written in such a way that one can read and enjoy the volume cover-to-cover or choose to use it as needed as a reference.<br/>Gage Averill, Dean of Arts, The University of British Columbia, Canada<br><p/><br></br><p><b> About the Author </b></p></br></br><p>John Shepherd is Chancellor's Professor of music and sociology, and Dean, Faculty of Graduate Studies and Research at Carleton University, ON. He is a Fellow of the Royal Society of Canada.<br>David Horn was a founding editor of the journal <i>Popular Music</i> (Cambridge University Press, 1981+), and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Other recent publications include two edited volumes: <i>The Cambridge Companion to Jazz</i> (with Mervyn Cooke, 2002), and a special issue of <i>Popular Music</i> in honour of Paul Oliver (2006).
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