A New History of American and Canadian Folk Music - by Dick Weissman (Hardcover)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>Building on his 2006 book, <i>Which Side Are You On?</i>, Dick Weissman's <i>A New History of American and Canadian Folk Music </i>presents a provocative discussion of the history, evolution, and current status of folk music in the United States and Canada. North American folk music achieved a high level of popular acceptance in the late 1950s. When it was replaced by various forms of rock music, it became a more specialized musical niche, fragmenting into a proliferation of musical styles. In the pop-folk revival of the 1960s, artists were celebrated or rejected for popularizing the music to a mass audience. In particular the music seemed to embrace a quest for authenticity, which has led to endless explorations of what is or is not faithful to the original concept of traditional music. <br/><br/>This book examines the history of folk music into the 21st century and how it evolved from an agrarian style as it became increasingly urbanized. Scholar-performer Dick Weissman, himself a veteran of the popularization wars, is uniquely qualified to examine the many controversies and musical evolutions of the music, including a detailed discussion of the quest for authenticity, and how various musicians, critics, and fans have defined that pursuit.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Dick Weissman was in the room at the dawn of the US-Canadian folk revival of the 1960s. As a musician, songwriter, and recording artist, he is uniquely placed to reflect on North American folk music as practice, cultural movement, and commercial industry. Also a professor and teacher, he is able to offer the wider historical overview. His <i>New History</i> is at once informed and idiosyncratic, scholarly and personal. It is sure to become a major source for future historians and lay readers alike.<br/>Will Kaufman, Professor of American Literature & Culture, University of Central Lancashire, UK, and author of Woody Guthrie, American Radical (2011), Woody Guthrie's Modern World Blues (2017), and Mapping Woody Guthrie (2019)<br><br>Few insiders from the Folk movement of the 1950s/60s have been as prolific as Dick Weissman. This overview is scholarly, amiable, and anecdotal: he sheds light on the well-known and lesser known music types with his first-person experiences. He delivers an excellent study of styles and personalities that shaped this special genre of American and Canadian music.<br/>J. Michael Kearsey, Berkshire Snow Productions, USA<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Dick Weissman</b> is Associate Professor Emeritus at the University of Colorado at Denver, USA, and has been involved with the North American folk revival as a musician, performer, composer and scholar. He is the author of many critically acclaimed books about American roots music and the music industry, including <i>The Folk Music Sourcebook </i>(1989), which won the Deems Taylor ASCAP Music Critics Award; <i>The Music Business</i> (5th edition 2003), which sold over 100,000 copies; <i>Navigating the Music Industry </i>(2003); <i>Which Side Are You On?: An Inside History of the Folk Music Revival in America</i> (Bloomsbury, 2006); and <i>Songwriting: The Words, the Music, and the Money</i> (2010).
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