Luminous Presence - by Alexandra Parsons (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br><i>Luminous presence: Derek Jarman's life-writing </i>is the first book to analyse the prolific writing of queer icon Derek Jarman. Much of Jarman's powerful, imaginative response to HIV/AIDS can be found in his remarkable books, which Alexandra Parsons argues were critical in changing the cultural terms of queer representation in the 1980s and 1990s.<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Luminous presence: Derek Jarman's life-writing </i>is the first book to analyse the prolific writing of queer icon Derek Jarman. Although he is well known for his avant-garde filmmaking, his garden, and his AIDS activism, he is also the author of over a dozen books, many of which are autobiographical. Much of Jarman's exploration of post-war queer identity and imaginative response to HIV/AIDS can be found in his books, such as the lyrical AIDS diaries <i>Modern Nature </i>and <i>Smiling in Slow Motion</i>. This book fully explores, for the first time, the remarkable range and depth of Jarman's writing. Spanning his career, Alexandra Parsons argues that Jarman's self-reflexive response to the HIV/AIDS crisis was critical in changing the cultural terms of queer representation from the 1980s onwards. <i>Luminous presence </i>is of great interest to students, scholars and readers of queer histories in literature, art and film.<p/><br></br><p><b> From the Back Cover </b></p></br></br><i>Luminous presence: Derek Jarman's life-writing </i>is the first book to analyse the prolific writing of queer icon Derek Jarman. He frequently blended visionary queer politics with experimental self-representation, and consistently created art with material drawn from his own life, using it as a generative activist force. Although he is well known for his avant-garde filmmaking, his garden, and his AIDS activism, he is also the author of over a dozen books, many of which are autobiographical. Much of Jarman's exploration of post-war queer identity and imaginative response to HIV/AIDS can be found in his books, such as the lyrical AIDS diaries <i>Modern Nature </i>and <i>Smiling in Slow Motion</i> and the associative book of colour <i>Chroma</i>, the critique of homophobia <i>At Your Own Risk</i>, and the activist text published alongside the film <i>Edward II</i>. The remarkable range and depth of his writing has yet to be fully explored by critics. <i>Luminous presence </i>fills this gap. Spanning his career, Alexandra Parsons shows that Jarman's self-reflexive response to the HIV/AIDS crisis was critical in changing the cultural terms of queer representation from the 1980s onwards. She reads Jarman's self-representations across his literary and visual works as a queer utopian project that places emphasis not on the polish of the finished product, but on the process of its production. <i>Luminous presence </i>examines Jarman's books in broadly chronological order so as to tell the story of his developing experimentation with self-representation. The book<i> </i>is aimed at students, scholars and general readers interested in queer histories in literature, art and film.<p/><br></br><p><b> About the Author </b></p></br></br>Alexandra Parsons is a Paul Mellon Centre fellow and teaches contemporary literature and culture at University College London
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