<p/><br></br><p><b> About the Book </b></p></br></br>Text by Douglas Dreishpoon, Andreas Huyssen, Terence Riley, Olga Viso. Interviews by Graciela Speranza.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>Architectural and printing motifs pervade Argentine painter Guillermo Kuitca's latest work, surveyed in this hardcover volume</strong></p><p>This book debuts two new painting series by Argentinian artist Guillermo Kuitca (born 1961) that feature the artist's distinctive melding of abstraction and figuration --<i>The Family Idiot</i> and <i>Missing Pages</i>. Evoking the complex geometries and layered information of architectural plans and cartographic maps, Kuitca's theatrical paintings explore themes of dislocation: <i>The Family Idiot</i> draws from Jean-Paul Sartre's three-volume study of Gustave Flaubert, while the 18-part wall piece <i>Missing Pages</i> evokes the physical process of book printing, specifically the unexpected combinations of images that ensue during pagination. <p/>Published on the occasion of Guillermo Kuitca's summer 2019 solo exhibition at Hauser & Wirth Los Angeles, this catalog includes two richly illustrated essays by acclaimed art critic Christian Viveros-Fauné and writer and artist Chris Wiley. An extensive plates section and installation views present readers with an immersive experience of the exhibition and the artist's works.</p>
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