Museum Highlights - (Writing Art) by Andrea Fraser (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Essays, criticism, and performance scripts written between 1985 and 2003 by an artist whose artistic practice investigates and reveals the social structures of art and its institutions.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>Essays, criticism, and performance scripts written between 1985 and 2003 by an artist whose artistic practice investigates and reveals the social structures of art and its institutions.</b><p>Andrea Fraser's work, writes Pierre Bourdieu in his foreword to <i>Museum Highlights</i>, is able to trigger a social mechanism, a sort of <i>machine infernale</i> whose operation causes the hidden truth of social reality to reveal itself. It often does this by incorporating and inhabiting the social role it sets out to critique--as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks--institutional critique, with its site-specific examination of cultural context; performance; feminism, with its investigation of identity formation; and Bourdieu's reflexive sociology. Fraser's writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003--including the performance script for the docent's tour that gives the book its title--both documents and represents her work. The writings in <i>Museum Highlights</i> are arranged to reflect different aspects of Fraser's artistic practice. They include essays that trace the development of critical artistic practice as cultural resistance; performance scripts that explore art institutions and the public sphere; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao), reflects on the role of museums in an era of globalization. Among the book's 30 illustrations are stills from performance pieces, some never before published.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>These transcripts, along with the other essays in <i>Museum Highlights</i>, are a testament to Fraser's forcefulness as a writer, one for whom the act of writing and by necessity reading and researching is indivisible from her practice as an artist.--<b>Pamela M. Lee</b>, <i>Artforum</i>--<br><p>The publication of this anthology marks a welcome occasion to reconsider the interweaving themes of Fraser's practice in relation to each other.</p>--<b>Kirsi Peltomaki</b>, <i>Afterimage</i>--<br><p>See the global culture industry laid bare with wit, erudition, and, above all, action.</p>--<b>Kieran Long</b>, <i>Icon Magazine</i>--<br>
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