Kraftwerk - by Uwe Schütte (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"So many of Kraftwerk's innovations have become absorbed into the mainstream that it is sometimes hard to remember just how innovative, strange and avant-garde they were. Ignoring almost all rock traditions, working in near total secrecy in their Dusseldorf studio, releasing new material sometimes at very long intervals, Kraftwerk also revolutionized stage presentation and, through their obsession with design and presentation, linked their work to the traditions of the Bauhaus and 1920s German aesthetics. Kraftwerk: Future Music from Germany brilliantly describes how a genuinely new, strange and powerful sound stemmed from years of restless experimentation and from the unique atmosphere both of the West German state and of a wider Rhineland industrial avant-garde"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>The story of the phenomenon that is Kraftwerk, and how one band revolutionized the cultural landscape of our time.</b> <p/>'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, experimenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation--even human and machine--to change the course of modern music. What they created changed the course of pop music forever, influencing artists as diverse as Björk, Joy Division, David Bowie, and Kanye West. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"A highly stimulating critical biography. Written from a European perspective, <i>Kraftwerk</i> is a pleasure to read."<b> --Jon Savage, </b> <b><i>New Statesman</i> (London)</b> <p/>"An engaging critical introduction to the band . . . you can see them everywhere: most fascinatingly in hip-hop, most obviously in techno music, but also in the chrome-helmeted anonymity of Daft Punk, in the industrial philosophy of Factory Records and the Haçienda nightclub, and, ultimately, in the general trajectory of pop music ever since Kraftwerk's run of great albums between 1974 and 1981." <b>--Karl Whitney, <i>The Guardian</i> (London)</b> <p/>"As the music of the twentieth century fades from our ears, Kraftwerk's sound is still moving." <b>--Jay Elwes, <i>The Spectator </i>(London)</b> <p/>"I read Uwe Schütte's fascinating new book, and became convinced again of Kraftwerk's peculiar genius. . . . They remain revolutionary because they have given modern music its primitive pulse." <b>--Jude Rogers, <i>Prospect</i></b> <p/>"Schütte proposes that Kraftwerk was, in effect, a redemptive project, a reclamation of prewar modernism and its aims. . . . This book is the German take on <i>the</i> German pop phenomenon." <b>--John Quin, </b> <b><i>The Quietus</i></b> <p/>"Read Schütte's entertaining and meticulously researched history of the band and it's hard not to conclude that Kraftwerk demand equivalence at least with the Fab Four." <b>--<i>The Herald Magazine</i></b> <p/>"Fascinating . . . Highlights just how innovative and influential they are. Kraftwerk didn't just beam themselves into the future, they invented it." <b>--Chris Harvey, <i>The Scotsman</i> (Edinburgh)</b> <p/>"Born in Germany but based in the UK, Schutte is able to assess Kraftwerk from both the German and non-German perspective. This is a lucid, accessible, authoritative, and indispensable account of the Düsseldorf group once mocked for their Teutonic 'otherness, ' who went on to lay the foundations for modern electronic music." <b>--David Stubbs, author of</b> <b><i>Future Days: Krautrock and the Building of Modern Germany</i></b> <p/>"Schutte positions Kraftwerk not merely as a popular music phenomenon but as the embodiment of our transition from the uncertainty and hope of postwar Europe through to twenty-first-century techno-hyperreality. A forensic analysis of Kraftwerk's sociopolitical roots and their ongoing cultural effect. Schutte sees beyond the regular band trivia to show a deeper understanding of the impact of Kraftwerk on all aspects of popular culture which enclose us." <b>--Dr. Stephen Mallinder, founding member of Cabaret Voltaire and Wrangler</b> <p/>"Schütte follows the foundational electropop group that inspired David Bowie's alienist late-1970s adventures and a multitude of electro variations. He charts how they were a surprising European component in the emergence of hip-hop, as much through their sung-spoken words as their machine-made rhythms. . . . The book functions nicely as an introduction for newcomers to Kraftwerk's history." <b>--Paul Morley, <i>Financial Times</i></b><br><p/><br></br><p><b> About the Author </b></p></br></br>Uwe Schütte is a Reader in German at Aston University in Birmingham, UK. He went to England in 1992 to obtain his PhD in German literature supervised by W.G. Sebald at the University of East Anglia.
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