René d'Harnoncourt and the Art of Installation - by René D'Harnoncourt (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>"d'Harnoncourt served as the director of the Museum of Modern Art from 1949 to 1968. His interest in non-Western and non-modern art shaped much of MoMA's ambitious programming in the mid-20th century: in addition to shows addressing modern art, such as The Sculpture of Picasso (1968) and Modern Art in Your Life (1949), he organized exhibitions devoted to themes not generally associated with MoMA, including Indian Art of the United States (1941), Arts of the South Seas (1946), Ancient Arts of the Andes (1954) and Art of the Asmat: The Collection of Michael C. Rockefeller (1962). An illustrated chronology of d'Harnoncourt's life rounds out the volume"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>D'Harnoncourt redefined exhibition making and the parameters of art itself</strong></p><p>René d'Harnoncourt served as the director of the Museum of Modern Art from 1949 to 1968, and was known for his conscientious approach to curating exhibitions and his genius for installation design and display. His interest in non-Western and non-modern art shaped much of MoMA's ambitious programming in the mid-20th century: in addition to shows addressing modern art, such as <i>The Sculpture of Picasso</i> (1968) and <i>Modern Art in Your Life</i> (1949), he organized exhibitions devoted to themes not generally associated with MoMA, including <i>Indian Art of the United States</i> (1941), <i>Arts of the South Seas</i> (1946), <i>Ancient Arts of the Andes</i> (1954) and <i>Art of the Asmat: The Collection of Michael C. Rockefeller</i> (1962).</p><p>This publication delves deep into the MoMA Archives to reveal d'Harnoncourt's mastery of installation through an essay by Michelle Elligott and an exploration of 12 of the exhibitions he installed at MoMA, each richly illustrated by d'Harnoncourt's mostly previously unpublished sketches alongside exhibition photographs. A master draftsman, d'Harnoncourt produced meticulous sketches of installation vistas as well as the objects included in his exhibitions. An illustrated chronology of d'Harnoncourt's life rounds out the volume, detailing his multifaceted journey from birth as a count into a landowning family in Austria, to his time as a commercial artist in Mexico, to his post working for Nelson A. Rockefeller in the US State Department (Office of the Coordinator of Inter-American Affairs), which eventually led to his appointment at MoMA.</p><p><b>Michelle Elligott</b> is the Chief of Archives, Library, and Research Collections at the Museum of Modern Art, New York. She recently organized <i>Devenir moderne</i>, part of the MoMA exhibition <i>Etre moderne</i> at the Fondation Louis Vuitton in Paris. She codirected the Museum's widely acclaimed <i>Exhibition History</i> web archive project; coedited the institution's first self-published history, <i>Art in Our Time: A Chronicle of The Museum of Modern Art</i> (2004); and cocurated the MoMA PS1 exhibition <i>1969</i>.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>d'Harnoncourt had a rare ability to engage deeply with objects across time, cultural specificity, and form.... a loving attention to the objects and paintings themselves that attempts to break down the cool touch of the museum.--Laura Raicovich "Hyperallergic"<br><br>D'Harnoncourt was a gifted artist and collector.... His is one of the many stories of exceptional curators and museum directors that has been waiting to be told. Thanks to Elligott's artfully researched book we have a more informed understanding and appreciation of this famously amiable museum director and pioneer in museum installations.... a publication of striking originality and one worthy of its subject.--Kenneth Soehner "ARLIS/NA Reviews"<br><br>Deeply researched and beautifully presented, Michelle Elligott's book on Rene d'Harnoncourt is an important contribution to the literature on the Museum of Modern Art and the development of contemporary exhibition-making. Documenting d'Harnoncourt's curatorial and installation practice through his writings and revelatory drawings, the book gives a fascinating picture of the life and thought of one of the most important curators and museum directors of the 20th Century.--Bruce Altshuler "Director of New York University's Museum Studies Program"<br>
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