The Afterlives of Kathleen Collins - (Studies in the Cinema of the Black Diaspora) by L H Stallings (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"An absorbing portrait of a groundbreaking Black woman filmmaker. Kathleen Collins (1942-88) was a visionary and influential Black filmmaker. Beginning with her short film The Cruz Brothers and Miss Malloy and her feature film Losing Ground, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living. The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. The Afterlives of Kathleen Collins showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. Interrogating the ideological foundation of life-writing and cinematic life-writing as they intersect with race and gender, Stallings intervenes on the delimited concepts of life and Black being that impeded wider access, distribution, and production of Collins's personal, cinematic, literary, and theatrical works. The Afterlives of Kathleen Collins definitively emphasizes the evolution of film and film studies that Collins makes possible for current and future generations of filmmakers"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><b>An absorbing portrait of a groundbreaking Black woman filmmaker.</p><p></b>Kathleen Collins (1942-88) was a visionary and influential Black filmmaker. Beginning with her short film <i>The Cruz Brothers and Miss Malloy </i>and her feature film <i>Losing Ground</i>, Collins explored new dimensions of what narrative film could and should do. However, her achievements in filmmaking were part of a greater life project. In this critically imaginative study of Collins, L.H. Stallings narrates how Collins, as a Black woman writer and filmmaker, sought to change the definition of life and living. </p><p><i>The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life </i>explores the global significance and futurist implications of filmmaker and writer Kathleen Collins. In addition to her two films, Stallings examines the broad and expansive and varying forms of writing produced by Collins during her short life time. <i>The Afterlives of Kathleen Collins </i>showcases how Collins used filmmaking, writing, and teaching to assert herself as a poly-creative dedicated to asking and answering difficult philosophical questions about human being and living. Interrogating the ideological foundation of life-writing and cinematic life-writing as they intersect with race and gender, Stallings intervenes on the delimited concepts of life and Black being that impeded wider access, distribution, and production of Collins's personal, cinematic, literary, and theatrical works.</p><p><i>The Afterlives of Kathleen Collins</i> definitively emphasizes the evolution of film and film studies that Collins makes possible for current and future generations of filmmakers.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>An essential addition to monographs on black independent filmmakers who emerged from the 1960s Civil Rights movement, such as Charles Burnett and Julie Dash, as well as woman film artists in general.</p>--Tama Lynne Hamilton-Wray, coeditor of New Frontiers in the Study of the Global African Diaspora: Between Uncharted Themes and Alternative Representations<br><br><p>L.H. Stallings' <i>Afterlives of Kathleen Collins </i>explores the life, life's work, and posthumous significance of Kathleen Collins as a filmmaker. This monograph masterfully weaves together biopic, speculative fiction, film theory and archival film study to uncover Collins at the forefront of black women's filmmaking. Where much of the scholarship on black film--fiction and nonfiction--focuses on masculinists works and directors, Stallings work is groundbreaking in that it treats the body (and afterlife) of a black woman's work with a critical attention we have yet to see.</p>--Jasmine Cobb, author of Picture Freedom: Remaking Black Visuality in the Early Nineteenth Century<br><p/><br></br><p><b> About the Author </b></p></br></br><p>L. H. Stallings<b> </b>is Professor in the Department of African American Studies at Georgetown University. She is author of <i>A Dirty South Manifesto: Sexual Resistance and Imagination in the New South</i>; <i>Funk the Erotic: Transaesthetics and Black Sexual Cultures</i>; and <i>Mutha' Is Half a Word: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture</i>.</p>
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