<p/><br></br><p><b> About the Book </b></p></br></br><p>With case studies of high-profile stars like Jet Li, Jackie Chan and Donnie Yen, this ground-breaking book examines transnational Chinese stardom as a Web-based phenomenon, and as an outcome of the participatory practices of cyber fans.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p>As Chinese performers have become more visible on global screens, their professional images - once the preserve of studios and agents - have been increasingly relayed and reworked by film fans. Web technology has made searching, poaching, editing, posting and sharing texts significantly easier, and by using a variety of seamless and innovative methods a new mode of personality construction has been developed. With case studies of high-profile stars like Jet Li, Jackie Chan and Donnie Yen, this ground-breaking book examines transnational Chinese stardom as a Web-based phenomenon, and as an outcome of the participatory practices of cyber fans.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br>Chinese Stardom in Participatory Cyberculture By Dorothy Wai Sim Lau As Chinese performers have become more visible on global screens, their professional images - once the preserve of studios and agents - have been increasingly relayed and reworked by film fans. Web technology has made searching, poaching, editing, posting and sharing texts significantly easier, and by using a variety of seamless and innovative methods a new mode of personality construction has been developed. With case studies of high-profile stars like Jet Li, Jackie Chan and Donnie Yen, this groundbreaking book examines transnational Chinese stardom as a Web-based phenomenon, and as an outcome of the participatory practices of cyber fans. Dorothy Wai Sim Lau is an Assistant Professor at the Academy of Film, Hong Kong Baptist University<p/><br></br><p><b> About the Author </b></p></br></br><p>Dorothy Wai Sim Lau is an Assistant Professor at the Academy of Film, Hong Kong Baptist University. Her research interests include stardom, fandom, film theory, Asian cinema, transnational cinema, cyberculture and digital culture. Her publications have appeared in Journal of Chinese Cinemas, Journal of Asian Cinema and Continuum.<p>
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