<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers--featuring cover art by type superstar Jessica Hische </b> <p/>It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and gift-worthy hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet by superstar type designer Jessica Hische, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's film <i>Moonrise Kingdom</i> to Penguin's own bestsellers <i>Committed </i>and <i>Rules of Civility</i>. A collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series design encompasses foil-stamped paper-over-board cases in a rainbow-hued spectrum across all twenty-six book spines and a decorative stain on all three paper edges. Penguin Drop Caps debuts with an "A" for Jane Austen's <i>Pride and Prejudice</i>, a "B" for Charlotte Brontë's <i>Jane Eyre</i>, and a "C" for Willa Cather's <i>My Ántonia</i>, and continues with more classics from Penguin. <p/><b>D is for Dickens.</b> The orphan Pip is destined to become a blacksmith like his brother-in-law Joe. But when Pip meets the beautiful Estella Havisham, he yearns for a gentleman's education in order to woo her. A mysterious legacy answers his ambition, and changes the course of his life, taking him far from the Marshes of youth--far, so he thinks, from his early terrifying encounter with an escaped convict, and his sister's class resentments. In this fictional autobiography, Pip's coming-of-age story becomes representative of the changing social landscape of nineteenth-century England. As Pip's education provides upward social mobility, he must also learn hard lessons about self-delusion and forgiveness, love and loss, and the true nature of his <i>Great Expectations</i>.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books <p/>Winner of the 2014 Type Directors Club Communication Design Award <p/><b>Praise for Penguin Drop Caps: </b> <p/>[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering.<br>--<i>Fast Company</i> <p/>"Vibrant, minimalist new typographic covers.... Bonus points for the heartening gender balance of the initial selections."<br>--Maria Popova, <i>Brain Pickings</i> <p/>The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of <i>Great Expectations</i>? Because they're beautiful objects. Paul Buckley and Jessica Hische's fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen's A (<i>Pride and Prejudice</i>) is formed by opulent peacock feathers and Charlotte Bronte's B (<i>Jane Eyre</i>) is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf.<br>--Rex Bonomelli, <i>The New York Times</i> <p/>Drool-inducing.<br>--<i>Flavorwire</i> <p/>Classic reads in stunning covers--your book club will be dying.<br>--<i>Redbook</i><br><p/><br></br><p><b> About the Author </b></p></br></br>CHARLES DICKENS was born at Portsmouth on 7 February 1812, the second of eight children. Dickens's childhood experiences were similar to those depicted in <i>David Copperfield</i>. His father, who was a government clerk, was imprisoned for debt and Dickens was briefly sent to work in a blacking warehouse at the age of twelve. He received little formal education, but taught himself shorthand and became a reporter of parliamentary debates for the <i>Morning Chronicle</i>. He began to publish sketches in various periodicals, which were subsequently republishes as <i>Sketches by Boz</i>. <i>The Pickwick Papers</i> was published in 1836-7 and after a slow start became a publishing phenomenon and Dickens's characters the centre of a popular cult. Part of the secret of his success was the method of cheap serial publication which Dickens used for all of his novels. He began <i>Oliver Twist</i> in 1837, followed by <i>Nicholas Nickleby</i> (1838-9) and <i>The Old Curiosity Shop</i> (1840-41). After finishing <i>Barnaby Rudge</i> (1841) Dickens sets off for America; he went full of enthusiasm for the young republic but, in spite of a triumphant reception, he returned disillusioned. His experiences are recorded in <i>American Notes</i> (1842). <i>Martin Chuzzlewit</i> (1843-4) did not repeat its predecessors' success but this was quickly redressed by the huge popularity of the Christmas Books, of which the first, <i>A Christmas Carol</i>, appeared in 1842. During 1844-6 Dickens travelled abroad and he began <i>Dombey and Son</i> (1846-8) while in Switzerland. This and <i>David Copperfield </i>(1849-50) were more serious in theme and more carefully planned than his early novels. In later works, such as <i>Bleak House</i> (1852-3) and <i>Little Dorrit</i> (1855-7), Dickens's social criticism became more radical and his comedy more savage. In 1850 Dickens started the weekly periodical <i>Household Words</i>, succeeded in 1859 by <i>All the Year Round</i>; in there he published <i>Hard Times</i> (1854), <i>A Tale of Two Cities</i> (1859) and <i>Great Expectations</i> (1860-61). Dickens's health was failing during the 1860s and the physical strain of public readers which he began in 1858 hastened his decline, although <i>Our Mutual Friend</i> (1864-5) retained some of his best comedy. His last novel, <i>The Mystery of Edwin Drood</i>, was never completed and he died on 9 June 1870. Public grief at his death was considerable and he was buried in the Poet's Corner of Westminster Abbey. <p/>JESSICA HISCHE is a letterer, illustrator, typographer, and web designer. She currently serves on the Type Directors Club board of directors, has been named a <i>Forbes Magazine</i> 30 under 30 in art and design as well as an ADC Young Gun and one of <i>Print Magazine</i>'s New Visual Artists. She has designed for Wes Anderson, <i>McSweeney's</i>, Tiffany & Co, Penguin Books and many others. She resides primarily in San Francisco, occasionally in Brooklyn.
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