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<p/><br></br><p><b> About the Book </b></p></br></br>"Featuring a diverse collection of original contact sheets from over forty international photographers, The contact sheet allows in-depth insight into the subject matter and the photographic process--often revealing a deeper story that has not been told"--P. [4] of cover.<p/><br></br><p><b> Book Synopsis </b></p></br></br>'The Contact Sheet' offers a deeper look into the most iconic photographs of our times, by revealing the rarely and often never before seen contact sheets from the original photo sessions.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><P>"Before the digital era, contact sheets preserved a photographer's thought process and were a graveyard for burying mistakes. The strips here reveal how and illustrious group--William Claxton, Nan Goldin, Dorothea Lange, Julius Schulman, William Wegman and others--went about their business. ... It's not always clear why the photographers chose one picture over another, which only adds to the value of this archival material." --Wall Street Journal<P>"'The Contact Sheet' is an unprecedented glimpse into the photographer's craft, and a perfect gift for the photography lover." --Amazon.com's Best Art Books of the Year<P>"Here, Steve Crist presents iconic photographs from some of the world's most famous photographers, along with their contact sheets--the photographer's print of all the successive negatives on a roll--to reveal the magic that happens when you see 'the one' that stands out from all the rest." --NPR<br><p/><br></br><p><b> About the Author </b></p></br></br><P>Steve Crist is the publisher of AMMO Books and has authored, edited, or published several outstanding titles, including "Edward Weston: One Hundred Twenty-Five Photographs," "Gonzo" by Hunter S. Thompson, "The Curse of Lono" by Hunter S. Thompson and Ralph Steadman, "Charley Harper: An Illustrated Life" by Todd Oldham, and others. He is currently in production on upcoming books with the estate of Charles and Ray Eames and the artist Ralph Steadman.

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