Primitive Modernities - by Florencia Garramuno (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><i>Primitive Modernities</i> traces how the changing meaning of the primitive enabled the transformation of tango and samba--music considered primitive and marginal into art forms that symbolized the nations of Argentina and Brazil.<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Primitive Modernities</i> traces how the changing meaning of the primitive enabled the transformation of tango and samba-music considered primitive and marginal into art forms that symbolized the nations of Argentina and Brazil.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>Primitive Modernities</i> is a wonderfully ambitious effort to understand the modern aesthetic, literary, and political production in Brazil and the differences and commonalities with Spanish-America. In this illuminating book, Garramuño brings together two powerful literary and intellectual traditions that have for too long been examined separately. Combining her literary and cultural scholarship with keen observations of the links between avant-garde artists and the national pasts, she offers a better understanding of the ways in which popular music, film and performers contributed to redefine nationhood in two key Latin American countries.--Arcadio Diaz-Quiñones "Princeton University"<br><br><i>Primitive Modernities: Tango, Samba, and Nation</i> is a welcome tool for students without access to those languages in such fields as Brazilian and Latin American cultural studies, ethnomusicology, and literature; it is also an intriguing read for scholars of nationalisms more generally. The interdisciplinary nature of Garramuño's work is unusual in the context of regional or national studies, and provides a good example of why we should examine any cultural object as part of an intense interactive process. <i>Primitive Modernities</i> is all the more rare for its focus on two types of music from two national traditions that share many features, though not a common language. One of the strongest features of this study, then, is its revelation of how modernizing efforts in Latin America involving popular music superseded geographic, linguistic, disciplinary, and even sonic boundaries.--Marilyn Miller "<i>H-Net</i>"<br><br>One of the strong points of Garramuño's book is its positing of an alternative to binary formulations of nationalism and cosmopolitanism . . . [T]his work remains an important study for Latin American specialists, among whom it will foster a lively dialogue across disciplines.--Deborah Schwartz-Kates "<i>The Americas</i>"<br><br>This intelligent and richly argued book traces how Argentina and Brazil's national music became national in the early decades of the twentieth century. It studies the nationalization of tango and samba in the context of peripheral modernities that grapple with the tensions between the longing for modernity and the need for differentiation, construed as either primitivism or exoticism.--Diana Sorensen "Harvard University"<br><p/><br></br><p><b> About the Author </b></p></br></br>Florencia Garramuño is Associate Professor and Founding Director of the Program in Brazilian Culture at the University of San Andrés in Buenos Aires.
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