<p/><br></br><p><b> About the Book </b></p></br></br>."..109 photographs taken between 1962 and 1971 in what was, at the time, Czechoslovakia (Bohemia, Moravia, and Slovakia), Romania, Hungary, France, and Spain"--Front jacket flap.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Aperture's new edition of <i>Koudelka: Gypsies</i> rekindles the energy and astonishment of this foundational body of work by master photographer Josef Koudelka. Lavishly printed in a unique quadratone mix by artisanal printer Gerhard Steidl, it offers an expanded look at Cikáni (Czech for gypsies )--109 photographs of Roma society taken between 1962 and 1971 in then-Czechoslovakia (Bohemia, Moravia and Slovakia), Romania, Hungary, France and Spain. The design and edit for this volume revisits the artist's original intention for the work, and is based on a maquette originally prepared in 1968 by Koudelka and graphic designer Milan Kopriva. Koudelka intended to publish the work in Prague, but was forced to flee Czechoslovakia, landing eventually in Paris. In 1975, Robert Delpire, Aperture and Koudelka collaborated to publish <i>Gitans, la fin du voyage</i> (<i>Gypsies</i>, in the English-language edition), a selection of 60 photographs taken in various Roma settlements around East Slovakia. <i>Gypsies</i> includes more than 30 never-before-published images.<p/><br></br><p><b> From the Back Cover </b></p></br></br>This book is a revised and enlarged version of the original maquette for Josef Koudelka's <i>Cikáni</i> (Czech for <i>Gypsies</i>) prepared by Koudelka and graphic designer Milan Kopřiva in 1968, and intended for publication in Prague in 1970. Koudelka left Czechoslovakia in 1970 after extensively documenting the Russian invasion of Prague in August 1968. The book was never published in that original form.<br> This extended version consists of 109 photographs taken between 1962 and 1971 in what was, at the time, Czechoslovakia (Bohemia, Moravia, and Slovakia), Romania, Hungary, France, and Spain. The word <i>Gypsies</i> (the common name for this group when the photographs were taken between 1962 and 1971, before the current term <i>Roma</i> was established) is used as the book title.<br> Sociologist Will Guy, author of the text that accompanied the first publication of <i>Gypsies</i>, has contributed an updated essay, tracing the migration of the Roma from their original homeland in northern India, to their current status--one that continues to be contested internationally.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Rarely has a body of work been so deserving of two completely different editions. -<i>Time</i><br>Mr. Koudelka's stark images depict the poverty and clannishness of Gypsy life, but unlike many documentary photographers, he does not present their situation as a social problem that can somehow be fixed. Instead, he shows the Gypsies as perpetual outsiders, and their life as a primal mix of glee and wonder, sorrow and mystery. -<i>The New York Times</i><br>Gives a palpable sense of a people apart, unto themselves, dislocated from contemporary society and even time. -<i>Huffington Post</i><br>Koudelka brings to life the even older world of the Roma gypsies that he encountered in his travels in the late 1960s and early 1970s in images that resonate with mystery and ritual, romance and hardship. -<i>The Guardian</i><br>
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