<p/><br></br><p><b> About the Book </b></p></br></br><p>Shows that <em>Faust</em> was a central influence on Tennyson's creative life.</p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Tennyson's interest in Goethe's masterpiece began around 1824. It reached a remarkable level of intensity in 1833-34, and continued, intermittently, until 1855. The powerful influence that <em>Faust</em> exerted on his writings was mediated, most notably, by the translations of Abraham Hayward (1801-84), and it was often combined with that of a number of closely related works, by authors including Schiller, Byron, Shelley and Carlyle. This book reveals for the first time that Goethe's masterpiece is a presence in at least two dozen of Tennyson's poems, including several that are part of the canon of British literature.</p><p/><br></br><p><b> About the Author </b></p></br></br><p>Tom Baynes studied English and History at the universities of London and Bristol. In 2011 he was awarded an AHRC doctoral studentship, and in 2017 he won the <i>RES</i> Essay Prize. His articles on Goethe, Schiller, Richard Graves, Byron, Keats, Carlyle, Bulwer Lytton, Dickens, Arthur Hallam and Tennyson have appeared in <i>Essays in Criticism</i>, <i>The Review of English Studies</i>, <i>Notes and Queries</i>, <i>Romanticism</i>, <i>The Tennyson Research Bulletin</i> and <i>Publications of the English Goethe Society</i>.<p>
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