Mediated Memories in the Digital Age - (Cultural Memory in the Present) by Jose Van Dijck (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>This book studies how our personal memory is transformed as a result of technological and cultural transformations: digital photo cameras, camcorders, and multimedia computers inevitably change the way we remember and affect conventional forms of recollection.<p/><br></br><p><b> Book Synopsis </b></p></br></br>This book studies how our personal memory is transformed as a result of technological and cultural transformations: digital photo cameras, camcorders, and multimedia computers inevitably change the way we remember and affect conventional forms of recollection.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>Mediated Memories in the Digital Age</i> is an engaging and important book that challenges scholarly understanding of the relation between memory, memory artifacts, and memory practices and elucidates how these relationships are changing in the digital age. José van Dijck brings a theoretically sophisticated yet pragmatic approach to bear on her survey of today's most widespread digital practices of mediating memories. Her persuasive and timely thesis is solidly grounded in cultural and media studies, and her work is well informed by recent research in cognitive science, neuroscience, psychology, and visualization technologies.--Richard Grusin "ayne State University"<br><br>José van Dijck performs a sophisticated analysis that blends neurological research on memory, media technologies, and the personal cultural construction of memories into a coherent, far-reaching theory of the function, role, and significance of memory as we move from analogue to digital representations. Filled with deep insights and surprising observations, this book should be required reading for anyone interested in memory, digital technologies, and their co-evolution.--N. Katherine Hayles, University of California "Los Angeles"<br><br>The book is accessible to undergraduates and provides an excellent framework for postgraduates both in terms of its clarity in developing the conceptual tool of 'mediated memory' and in addressing some aspects of the digital in relation to this. One of its strengths concerns the way in which van Dijck unpacks the conceptual flaws conventionally associated with collective memory and the problematic assumptions that underlie much of the discussion of the relationship of media to this... The book is beautifully written, telling an engaging story, as well as tackling with academic erudition the study of mediated memories in the digital age.--<i>Memory Studies</i><br><br>The medium is the experience. A personal memory box full of private media objects was the inspiration for José van Dijck's newest and most innovative contribution to the zone between media studies and science studies where she has been such an important voice internationally. Detailing the ways that media and memory are not separate experiences through readings of the digital diaries and lifelogs of people suffering from Alzheimer's disease, Dutch recorded popular music, and still and moving images from a range of contexts, van Dijck presents an exciting new way of thinking about cultural memory and a cultural sense of self.--Lisa Cartwright, University of California "San Diego"<br><br>Van Dijck shares many fascinating insights.--<i>CHOICE</i><br><p/><br></br><p><b> About the Author </b></p></br></br>José van Dijck is Professor of Media and Culture at the University of Amsterdam. She is the author of several books, including <i>Manufacturing Babies and Public Consent: Debating the New Reproductive Technologies</i> (1995) and <i>ImagEnation: Popular Images of Genetics</i> (1998). Her latest book is titled <i>The Transparent Body. A Cultural Analysis of Medical Imaging</i> (2005).
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