Alfred Hair - by Gary Monroe (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>A long-awaited testament to the life and work of Alfred Hair, the driving force of the Florida Highwaymen, this book introduces a charismatic personality whose energy and creativity were foundational to the success of his fellow African American artists during the era of Jim Crow segregation.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>The undervalued force behind the Highwaymen phenomenon</b> <p>A long-awaited testament to the life and work of Alfred Hair, the driving force of the Florida Highwaymen, this book introduces a charismatic personality whose energy and creativity were foundational to the success of his fellow African American artists during the era of Jim Crow segregation.</p><p>Shot and killed in a barfight at the age of 29, Hair lived his short life fully, with a zest and intensity that informed his art. In high school he made canvas frames in the Fort Pierce studio of A. E. Backus, the painter who inspired the style of the Highwaymen, and soon became the artist's protégé. By the time Hair graduated in 1961, he was painting luminous South Florida landscapes and selling them door to door. One of the few formally trained Highwaymen, he spurred on the collective of artists as they traversed the state in search of the white clientele who would buy their artwork.</p><p>Hair's paintings, reproduced here in brilliant color, are marked by their spontaneous, gestural, carefree flair. He was known for his fast painting, which yielded a sense of place well-suited for Florida's postwar residents. These oil paintings hung in their homes and offices like trophies. Sold before the oils were dry, Hair's paintings appeared to their first owners to glow from within. "Alfred could paint as fast as he wanted and as good as he wanted," said Highwayman Al Black. Hair would work on as many as 20 paintings at once to make more money. His goal, as he often declared, was to be a millionaire.</p><p>Gary Monroe describes Hair's upbringing, growth as an artist, and romantic escapades and marriage, ending with the tragic events that unfolded at the juke joint known as Eddie's Place the night of August 9, 1970. <i>Alfred Hair</i> remembers a man who lifted the spirits of the Highwaymen painters and enhanced the idea of Florida through his art.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Art historian Monroe (The Highwaymen: Florida's African American Landscape Painters) thoughtfully examines the creative force of Florida artist Alfred Hair (1941-1970) and his influence on his disciples, the Highwaymen, in the Jim Crow South. Presenting 80 examples of Hair's work, Monroe lauds the artist, a Black man who rose above those oppressive times to become a profitable landscape painter. Born in Fort Pierce, Fla., Hair studied under A.E. Backus, then started strapping boards to the wall and rapidly laying down paint, a style that 'liberated any inhibitions that staunched the free flow of intuition.' In 1961, he sold his brightly hued landscapes door to door, landing customers across the color line. Hair eventually 'followed the money' to affluent Palm Beach, Fort Lauderdale, and Miami, where he convinced aspirational patrons to view themselves as 'connoisseurs.' Along the way, he inspired fellow painters and friends to join him, including Harold Newton, Livingston Roberts, Roy McLendon, and James Gibson, and they formed the Highwaymen. 'Living large [with] luxury cars' and fashionably attired, Hair considered himself a ladies' man (while also married and a father), and was killed at age 29 in a bar fight. Monroe's collection stuns, a brilliant portrait of a young artist who died before witnessing his impact on a generation of regional artists and art collectors."--<b><i>Publishers Weekly</b></i><br>
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