Nordic Film Cultures and Cinemas of Elsewhere - (Traditions in World Cinema) by Anna Westerstahl Stenport & Arne Lunde (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><p><em>Nordic Film Cultures and Cinemas of Elsewhere</em> introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. </p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p><em>Nordic Film Cultures and Cinemas of Elsewhere</em> introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. </p> <p></p> <p>Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br>Nordic Film Cultures and Cinemas of Elsewhere introduces a new concept to Nordic film studies as well as to other small national, transnational and world cinema traditions. Examining overlooked 'elsewheres', the book presents Nordic cinemas as international, cosmopolitan, diasporic and geographically dispersed, from their beginnings in the early silent period to their present 21st-century dynamics. Exploring both canonical works by directors like Ingmar Bergman and Lars von Trier, as well as a wide range of unknown or overlooked narratives of movement, synthesis and resistance, the book offers a new model of inquiry into a multi-varied Scandinavian cultural lineage, and into small nation and pan-regional world cinemas. Anna Westerstahl Stenport is Professor and Chair of the School of Modern Languages at Georgia Institute of Technology. Arne Lunde is Associate Professor in the Scandinavian Section and in Cinema and Media Studies at UCLA.<p/><br></br><p><b> About the Author </b></p></br></br><p>Anna Westerstahl Stenport is Professor and Chair of the School of Modern Languages at Georgia Institute of Technology. She has written extensively about Nordic cinema, media, visual cultures, culture, drama, and literature. She is the author of Nordic Film Classics: Lukas Moodysson's 'Show Me Love' (Washington, 2012) and co-editor of Films on Ice: Cinemas of the Arctic (with Scott MacKenzie, Edinburgh, 2015) and Arctic Cinemas and the Documentary Ethos (with Lilya Kaganovsky and Scott MacKenzie, Indiana, 2019). <p>Arne Lunde is Associate Professor in the Scandinavian Section and in Cinema and Media Studies at UCLA. His book Nordic Exposures: Scandinavian Identities in Classical Hollywood Cinema (U. of Washington Press, 2010) explores Scandinavian whiteness and ethnicity in Hollywood cinema between and during the two world wars. He has published in Journal of Scandinavian Cinema, Film International, Film Quarterly, The Moving Image, Scandinavian Studies, Scandinavica, and Comparative Literature.<p>
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