Katherine Anne Porter: Collected Stories and Other Writings (Loa #186) - (Library of America) (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>The Library of America reprints the landmark volume of stories that won Porter both the Pulitzer Prize and the National Book Award, and pairs the collection with a completely new selection from Porter's long-out-of-print short prose.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>The Pulitzer Prize- and National Book Award-winning volume of writings from the author of <i>Pale Horse, Pale Rider</i>--now combined with little-known works of prose for the very first time</b> <p/> Eudora Welty said that Katherine Anne Porter "writes stories with a power that stamps them to their very last detail on the memory." Set in her native Texas and her beloved Mexico, prewar Nazi Germany and the gothic Old South, they are stories of love, outrage, betrayal, and spiritual reckoning that are severe but never cruel, and always exquisitely precise. They number fewer than thirty, but as Robert Penn Warren commented, "many are unsurpassed in modern fiction." <p/> The Library of America now reprints the landmark 1965 volume, <i>The Collected Stories of Katherine Anne Porter</i>--which features tales like "Pale Horse, Pale Rider" and "Flowering Judas"--and pairs it with a completely new selection from Porter's long-out-of-print short prose. Expanding the contents of her 1952 collection <i>The Days Before</i> to include both early journalism and major pieces from her final three decades, the prose works collected here are grouped in four parts: critical essays on writers she loved and learned from, including James, Cather, Lawrence, and Colette; personal essays and speeches on such topics as the craft of writing, her own work, women in myth and in history, and American politics; essays and reports on Mexican life, letters, and revolution; and two previously uncollected forays into autobiography. <p/> <b>LIBRARY OF AMERICA</b> is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>?Katherine Anne Porter's stories have rightly had the highest reputation in America since they first appeared in the early Thirties. . . . Porter's singularity as a writer is in her truthful explorations of a complete consciousness of life.? <BR> ?V. S. Pritchett<BR><BR><br><br>Katherine Anne Porter s stories have rightly had the highest reputation in America since they first appeared in the early Thirties. . . . Porter s singularity as a writer is in her truthful explorations of a complete consciousness of life. <BR> V. S. Pritchett<br><br>aKatherine Anne Porteras stories have rightly had the highest reputation in America since they first appeared in the early Thirties. . . . Porteras singularity as a writer is in her truthful explorations of a complete consciousness of life.a <BR> aV. S. Pritchett<br><p/><br></br><p><b> About the Author </b></p></br></br>In the 1920s and '30s, <b>Katherine Anne Porter</b> emerged as a classicist among the moderns, a lapidary miniaturist whose every short story was greeted as a thing of timeless perfection. Edmund Wilson called her "a first-rate artist" who wrote "English of a purity and precision almost unique in contemporary American fiction." Her mastery of theme and gift for characterization were hers alone among the storywriters; even her shortest works were imbued with a richness of design, incident, and experience seldom found outside long novels. Her ambition and her range of emotion and effect--from cold realism to measureless compassion, from the plainspoken to the lyrical--were unequaled in her time and have had few successors. She was, and is forever, an American original. <p/><b>Darlene Harbour Unrue</b>, volume editor, is a professor of English at the University of Nevada, Las Vegas, and the author, most recently, of <i>Katherine Anne Porter: The Life of an Artist</i>.
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