Lygia Clark: The Abandonment of Art, 1948-1988 - by Cornelia Butler & Luis Pérez-Oramas (Hardcover)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br>Published in conjunction with a major retrospective of the work of Brazilian painter, sculptor and performance artist Lygia Clark, this publication presents a linear and progressive survey of the artist's groundbreaking practice. Having trained with modern masters from the late 1940s to the mid-1950s, Clark was at the forefront of Constructivist and Neo-Concretist movements in Brazil and fostered the active participation of the spectator through her works. Examining Clark's output from her early abstract compositions to the biological architectures and relational objects she created late in her career, this is the most comprehensive volume on the artist available in English. Three sections based on key phases throughout her career--Abstraction, Neo-Concretism and The Abandonment of Art--examine these critical moments in Clark's production, anchor significant concepts or constellations of works that mark a definitive step in her work, and shed light on circumstances in her life as an artist. Featuring a significant selection of previously unpublished archival texts of Clark's personal writings, it is a vital source of primary documentation for twentieth-century art history scholarship. <p/><b>Lygia Clark</b> (1920-1988) trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s. From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark has become a major reference for contemporary artists dealing with the limits of conventional forms of art.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>...a big, openhearted retrospective of the great Brazilian artist who made the arduous look effortless.-- "The New Yorker"<br><br>As Lygia Clark's current MoMA retrospective finally brings her career more fully into view, so, too, arrive overdue scholarship, insights, and revelations about her work. Devotees of the Brazilian artist already know that previous monographs were scant and expansive, and that much of the key criticism about her, as well as her own prose, hadn't been translated from Portuguese. Offering a strong corrective, this catalogue strives to be definitive, with essays by ten authors alongside nearly three hundred spaciously arranged images of Clark's boundary-breaking art.--Lauren O'Neill-Butler "Bookforum"<br><br>During the 1960s and 70s, the Brazilian art scene was a hotbed of radical innovation, thanks to the Neo- Concretist movement, of which Lygia Clark(1920-1988) was a leading figure. This retrospective represents the first for the artist in North America, and surveys everything from her efforts in painting and sculpture to her move into Conceptualism.--Howard Halle "Time Out New York"<br><br>Now regarded as one of the postwar era's most important artists, Lygia Clark produced a generative body of abstract painting in the 1950s, reinvented sculpture with her participatory objects of the '60s, and later devised an altogether unique mode of ritualistic, collective quasi therapy.--Daniel Quiles "Artforum"<br><p/><br></br><p><b> About the Author </b></p></br></br><p><strong>Cornelia Butler</strong> is Chief Curator at the Hammer Museum in Los Angeles.</p><p><strong>Luis Perez-Oramas</strong> is the Estrellita Brodsky Curator of Latin American Art for the Department of Drawings and Prints at The Museum of Modern Art.</p><p><strong>Sergio Bessa</strong> is the director of curatorial and education programs at the Bronx Museum, and a teacher of Museum Education at Columbia University.</p><p><strong>Eleonora Fabiao</strong> is a performer/performance theorist and Associate Professor at the Federal University of Rio de Janeiro.</p><p><strong>Briony Fer</strong> is a British art historian, curator and Professor of History of Art at University College London.</p><p><strong>Geaninne Gutiérrez-Guimarães</strong> has curated for the Museum of Modern Art and the Bertha and Karl Leubsdorf Art Gallery.</p><p><strong>Andre Lepecki</strong> is Associate Professor at the Department of Performance Studies at Tisch School of the Arts at New York University. He is a writer and curator working mainly on performance studies, choreography and dramaturgy.</p><p><strong>Zeuler Lima</strong> is an architect and associate professor of history, theory and design at the School of Design and Visual Arts at Washington University in St. Louis.</p>
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