The Poem's Heartbeat - (Copper Canyon Classics) by Alfred Corn (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>[M]ay well be the finest general book available on prosody.--Library Journal (starred review)<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>An indispensable guide for poets, readers, students, and teachers.</b> <p>"<i>The Poem's Heartbeat </i>may well be the finest general book available on prosody."--<i>Library Journal </i>(starred review)</p><p>"A provocative, definitive manual."--<i>Publishers Weekly</i></p><p>Finally back in print, this slender, user-friendly guide to rhyme, rhythm, meter, and form sparks "intuitive and technical lightning-flashes" for poets and readers curious to know a poem's inner workings. Clear, good-humored, and deeply readable, Alfred Corn's book is <i>the</i> modern classic on prosody--the art and science of poetic meter.</p><p>Each of the book's ten chapters is a progressive, step-by-step presentation rich with examples to illustrate concepts such as line, stress, scansion marks, slant rhyme, and iambic pentameter. "By the book's end," noted a rave review in <i>The Boston Review</i>, "Corn, magi-teacher and impeccable guide, has taught the novice to become artist and magician." <i>The Poem's Heartbeat</i> also includes a selected bibliography and encourages readers and students to carry their investigations further.</p><p><i>The word "line" comes from the Latin</i> linea<i>, itself derived from the word for a thread of linen. We can look at the lines of poetry as slender compositional units forming a weave like that of a textile. Indeed, the word "text" has the same origin as the word "textile." It isn't difficult to compare the compositional process to weaving, where thread moves from left to right, reaches the margin of the text, then shuttles back to begin the next unit . . .</i></p><br><p/><br></br><p><b> Review Quotes </b></p></br></br><br>The Poem's Heartbeat... may well be the finest general book available on prosody. --Library Journal (starred review) This book shatters stereotypes equating the study of prosody with poetry boot camp and instead introduces the fine art of versification. In clear bell tones...nuances of rhyme, rhythm, and meter are conveyed in precise, tactile language...By the book's end, Corn, magi-teacher and impeccable guide, has taught the novice to become artist and magician. --The Boston Review<br><p/><br></br><p><b> About the Author </b></p></br></br>Alfred Corn is a poet, novelist, and art critic. His poems appear regularly in The New Yorker, The Nation, and the New Republic. He has traveled widely and taught at many universities, including Columbia, UCLA, and Yale. He lives in New York.
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