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<p/><br></br><p><b> About the Book </b></p></br></br>This book provides a wide-ranging, original, thoughtful, and expansive discussion of citizenship, social manners, and political freedom in our world today.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Comedy, from social ridicule to the unruly laughter of the carnival, provides effective tools for reinforcing social patterns of domination as well as weapons for emancipation. In <i>Irony in the Age of Empire, </i> Cynthia Willett asks: What could embody liberation better than laughter? Why do the oppressed laugh? What vision does the comic world prescribe? For Willett, the comic trumps standard liberal accounts of freedom by drawing attention to bodies, affects, and intimate relationships, topics which are usually neglected by political philosophy. Willett's philosophical reflection on comedy issues a powerful challenge to standard conceptions of freedom by proposing a new kind of freedom that is unapologetically feminist, queer, and multiracial. This book provides a wide-ranging, original, thoughtful, and expansive discussion of citizenship, social manners, and political freedom in our world today.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>Willett (Emory) explores how humor--in its multiple expressions of irony, satire, blackface, comedy of manners, wit, ridicule, carnival, camp, and farce--can be a strategy for the subversion of oppressive power and contribute to a more emancipatory democratic ethic. She offers the bold claim that "today no discourse expresses the stakes of freedom better than comedy ... [which] provides one of the most important sources for a philosophical discussion of freedom" as an alternative to the prevailing concepts of negative and positive freedoms she associates with the mainstream liberal view as expressed primarily by Isaiah Berlin. She advocates a third freedom: securing social bonds. Her emphasis here is on the communitarian values of historical memory, friendship, recognition solidarity, and "the libidinal sources of selfhood." In this perspective comedians like Jon Stewart and Stephen Colbert take center stage to fill the vacuum left by a slack news media and anemic political debate. Willett analyzes in some detail comedies of remarriage like The Philadelphia Story and Spike Lee's Bamboozled, and draws on thinkers like Cornel West, Stanley Cavell, Jean-Paul Sartre, and Henri Bergson. She uses these sources adroitly, writes engagingly, and for the most part keeps her argument in focus. Summing Up: Recommended. Upper-level undergraduates through faculty/researchers. --Choice</p>--B. G. Murchland, Ohio Wesleyan University<br><p/><br></br><p><b> About the Author </b></p></br></br><p>Cynthia Willett is Professor of Philosophy at Emory University, where she currently serves as the chair of the department. She is author of <i>Soul of Justice</i> and <i>Maternal Ethics and Other Slave Moralities.</i></p>

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