<p/><br></br><p><b> Book Synopsis </b></p></br></br>This one-of-a-kind collaboration between acclaimed author Susan Orlean and celebrated artist Philip Taaffe unites the literary and the visual, the nostalgic and the optimistic, and brings greenery to your bookshelf. Taking inspiration from the rapidly dwindling flower district of New York City, Orlean and Taaffe offer tandem musings on the conceit of the floral ghost. Orlean's essay, one of her first botanically themed writings since she penned the widely lauded <i>The Orchid Thief</i>, reflects on a poignant moment when she first visited the district in its resplendent heyday. Her text is accompanied by Taaffe's colorful silkscreen monotypes--a bouquet of paper and ink recalling the unique yet universal nature of time passing and petals fading. An evocative rendering of both the memories of youth and the ephemeral nature of the cityscape, <i>The Floral Ghost</i> makes an elegant gift for every aspiring writer, artist and dreamer who moves to a city to make his or her mark or who admires its mutable glory from afar. <br/><b>Susan Orlean</b> (born 1955) is the bestselling author of eight books, including <i>The Bullfighter Checks Her Makeup</i>; <i>My Kind of Place</i>; <i>Saturday Night</i>; and <i>Lazy Little Loafers</i>. In 1999, she published <i>The Orchid Thief</i>, a narrative about orchid poachers in Florida, which was made into the Academy Award-winning film <i>Adaptation</i>, written by Charlie Kaufman and directed by Spike Jonze. Her 2011 book, <i>Rin Tin Tin: The Life and the Legend</i>, was a <i>New York Times</i> bestseller. Orlean has been a staff writer for the <i>The New Yorker</i> since 1992. She lives in Los Angeles and upstate New York. <br/><b>Philip Taaffe</b> was born in Elizabeth, New Jersey, in 1955, and studied at the Cooper Union in New York. He has exhibited worldwide since his first solo exhibition in New York, in 1982. Taaffe has traveled widely in the Middle East, South America and Morocco, where he collaborated with Mohammed Mrabet on the 1993 book <i>Chocolate Creams and Dollars</i>, translated by Paul Bowles. His work is in numerous public collections, including The Museum of Modern Art, New York, the Philadelphia Museum of Art and the Whitney Museum of American Art. Taaffe lives and works in New York and West Cornwall, Connecticut.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>[Orlean's] piece goes beyond her initial wonder at the idea of a district of flowers to wax nostalgic, but never sentimental, about a part of New York that many young writers today will never get to experience.--Lauren Oyler "Broadly"<br><br>A slim, intimate volume, accompanied by a series of vivid monotypes.--Sharon Steel "Brooklyn Magazine"<br><br>As much a celebration as it is a eulogy for the flower district.--Joseph Akel "The New York Times"<br><br>In an elegant coupling if the botanical and the poetic, bestselling author Susan Orlean and painter philip Taaffe combine their arts to create an organic storytelling moment inspired by New York City's dwindling flower district.--Kelly Rogers "Artdesk"<br><br>The district itself may also never return to its former lush glory, like a flower cut at its peak, but <i>The Floral Ghost</i> captures one day of its thriving history through one person's ephemeral memory.--Allison Meier "Hyperallergic"<br>
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