<p/><br></br><p><b> About the Book </b></p></br></br><p>This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries. </p><p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Asia's film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. </p> <p>This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br>'Asian Cinema: A Regional View is a turning point. It replaces the idea of Asian cinema as a set of national cinemas with a proliferation of transborder linkages across the region. Its chapters on regional co-productions, remakes, film festivals, streaming services, cinema archives and more will fundamentally change how we perceive Asian cinema.' Chris Berry, King's College London, co-editor of Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes. Asia's film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas. This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia's film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies. Olivia Khoo is Associate Professor in Film and Screen Studies at Monash University, Australia. Cover image: The Assassin, 2015, Hou Hsiao-hsien (c) Central Motion Pictures Cover design: [EUP logo] edinburghuniversitypress.com ISBN Barcode<p/><br></br><p><b> About the Author </b></p></br></br><p>Dr Olivia Khoo is Associate Professor of Film and Screen Studies at Monash University<p>
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