Between Lives - by Dorothea Tanning (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>The life and times of one of our most enchanting artists; a twentieth-century fairy tale, lovingly remembered and luminously told.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Fourteen years ago, the artist Dorothea Tanning published Birthday, a collection of reminiscences. Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst.<br /><br /> Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry, Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>In buoyant and electric prose, laced with wit and leavened with ungrudging generosity, Dorothea Tanning has given us in this memoir a brilliant account of the fizz and panache of a truly remarkable life: Stravinsky provides her wedding champagne; at a Paris soiree, Andre Malraux upstages Orson Welles; J. Robert Oppenheimer turns up at Les Deux Magots; and the gentle and enigmatic surrealist Max Ernst, Ms. Tanning's husband, is the presiding spirit. This is a sustained success of recuperative magic. --Anthony Hecht"<br><br>It seems hardly fair that Dorothea Tanning, in a long, passionately inventive career as a painter, should have acquired as well the other harmony of prose, and that her passionate inventions as a writer should be so lovingly, so wisely resolved. Indeed it is not fair at all: the Muse was never an equal-opportunity employer, and the only appropriate response to Between Lives is untempered gratitude. How grateful I am for the Muse's caprice, twice over, for Dorothea Tanning is a dauntless writer who is entitled to love her life; she created it, and now, quite unfairly, I love it, too. --Richard Howard"<br><br>"A mix of acidic critique, clear-eyed remembrance, and funny, name-dropping anecdotes, this autobiography offers a glimpse of the creative process and reveals some of the sacrifices required of an ambitious, creative woman wed to a more famous man." --"Village Voice"<BR><br><br>"Tanning's . . . beguiling memoir chronicles her small-town Midwestern girlhood and travels through the postwar art worlds of New York and Paris, where she collaborated with George Balanchine on ballet sets and spent decades reconfiguring female anatomy in delirious nudes." --"Vogue"<BR><br><br>"In buoyant and electric prose, laced with wit and leavened with ungrudging generosity, Dorothea Tanning has given us in this memoir a brilliant account of the fizz and panache of a truly remarkable life: Stravinsky provides her wedding champagne; Andre Malraux upstages Orson Welles; J. Robert Oppenheimer turns up at Les Deux Magots; and the gentle and enigmatic surrealist Max Ernst, Ms. Tanning's husband, is the presiding spirit." --Anthony Hecht<BR><br>
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