<p/><br></br><p><b> About the Book </b></p></br></br>This book examines Bakhtin as a Modernist, exilic thinker, engaged with the question of ethical subjectivity, aligned with contemporary Continental philosophers such as Bergson, Merleau-Ponty, and Levinas, and positioned at a crossroads of the human sciences.<p/><br></br><p><b> Book Synopsis </b></p></br></br>This book examines Bakhtin as a Modernist, "exilic" thinker, engaged with the question of ethical subjectivity, aligned with contemporary Continental philosophers such as Bergson, Merleau-Ponty, and Levinas, and positioned at a crossroads of the human sciences.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i>Between Philosophy and Literature</i> is profoundly interesting . . . [I]ts vision of a better way to live is genuinely persuasive . . . The chapters in which Bakhtin is compared to Bergson, Merleau-Ponty and Lévinas are particularly well-achieved and show how the examination of a concrete, historically situated, and creative self became a sustained philosophical concern in the 20th century.--Andre van Loon "<i>Review 31</i>"<br><br>A recurrent motif of the book, reflecting both Bakhtin's work and human experience in general, is the subject's need for a framing structure alongside the need to transcend those frames. The ethical subject pushes through the frame while understanding its deep dependence on that very frame - the individual acting at the limits of being even if those limits are impossible to fully cross. In her study, Erdinast-Vulcan has distilled the complexity of Bakhtin's thought while preserving its core of humanity - achieving that rare feat of a scholarly work that deals with questions that are pressing in human life.--David Stromberg "<i>Partial Answers: Journal of LIterature and the History of Ideas</i>"<br><br>By uncovering the layers of Bakhtin's understanding of the subject, Erdinast-Vulcan's offers an in-depth interpretation of his 'philosophizing under the mask' at a time when literary theory came under the threat of totalitarianism. She portrays his vision of the subject in the process of its formation, and by placing it in a broad historical context she discloses the range of his influence on modern philosophy and the humanities.--Boris Gubman "<i>European Legacy: Toward New Paradigms</i>"<br><br>Daphna Erdinast-Vulcan's study avoids the standard lines of inquiry into the work of Mikhail Bakhtin. It aspires neither to provide a full exposition of his thought, nor to situate it in its cultural context or trace its intellectual genealogies. Drawing largely on sources that are less widely known--the early philosophical manuscripts and the suggestive notebooks--she provides instead a compelling account of Bakhtin's idiosyncratic place within the Western philosophical tradition, and in particular within the tradition of thinking about subjectivity and ethics....Bakhtin's work emerges as neither a curiosity from the past, fit for little more than intellectual-historical unpacking, nor a repository of helpful terms to be applied to our respective domains of study, but rather as our untimely contemporary, still grappling with the deadlock between a discredited foundationalism and an unsatisfying relativism....Lucid and beautifully written.--Ilya Kliger "<i>Comparative Literature</i>"<br><br>Erdinast-Vulcan provides an interpretation of Bakhtin's neglected early writings that effectively makes them available for the first time to a general audience. Her readings are critical, but they insightfully convey the essence of what Bakhtin was trying to do in his earliest phase. Her lucid exposition will result in a discovery of those writings as the important documents they are in the formation of new paths in linguistics, ethics, aesthetics--and even theology. --Michael Holquist, Yale University<br><p/><br></br><p><b> About the Author </b></p></br></br>Daphna Erdinast-Vulcan is Professor of English at the University of Haifa, Israel.
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