<p/><br></br><p><b> About the Book </b></p></br></br>Published to accompany the exhibition Mark Dion: Theatre of the Natural World held at Whitechapel Gallery, London, 14th February-13th May 2018.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p><strong>This publication focuses on five major works by the American conceptual artist Mark Dion (born 1961).</strong></p><p>Since the late 1980s Dion has been delving into the tropes and research methods of scientists, explorers, museum curators and archaeologists. He has created a body of work that playfully presents art as scientific inquiry or field work, questioning how knowledge is gathered, classified and displayed.</p><p>The five installations documented here incorporate diverse subjects: a scholar's study invites us to unravel intricate drawings and models; a curator's office displays the strange magic of obsolete things; the muddy banks of the Thames have also yielded their treasures for poetic display in a gigantic cabinet; while a Dickensian Curiosity Shop tempts us with the bizarre aura of American bric-a-brac. Each immersive environment is also a habitat, evoking the characters that observe, conserve or exploit the natural world.</p><p>The catalogue features new short essays on each of the exhibited works, an interview between the artist and Iwona Blazwick and a reprint of a short story by National Book Award for Fiction winner Andrea Barrett.</p>
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