Ann, Fran, and Mary Ann - by Erin Courtney (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>A new play by Obie-award-winning playwright Erin Courtney.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Ann and Mary Ann are married. They are both neuroscientists and they both witnessed deeply traumatic events when they were young. Now, in the carefully ordered worlds of their marriage and laboratory--which is linked like the two lobes of the brain--Ann and Mary Ann care for, protect, and reflect one another. But when Ann begins to study Fran, a tile artist who is unable to recognize her husband after he commits an unthinkably violent act, Ann and Mary Ann must reckon with what it really means to see and be present to another person. <em>Ann, Fran, Mary Ann</em> is a deeply reflective, reflecting, refracting play about trauma, God, patterns, and the way they live in our bodies, our minds, and acts of love.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>Erin puts questions of God, effects of trauma, distrust in our bodies, and brain science under her singular microscope and creates a page-turning play that feels utterly of this moment and then tethered to a kind of forever.-- "Tina Satter"<br><br>In this exquisite chamber piece about trauma, intimacy, and terror, Erin Courtney brings her inimitable sweet-savage vision to an exploration of the mystery of human consciousness.-- "Madeleine George"<br><p/><br></br><p><b> About the Author </b></p></br></br><p>Erin Courtney is an award-winning, New York-based playwright. Her play, <em>A Map of Virtue</em>, produced by 13P and directed by Ken Rus Schmoll, was awarded an Obie and described as one of the most terrifying plays of the past decade" by Alexis Soloski in <em>The New York Times</em>. <em>A Map of Virtue</em> was nominated for a GLAAD Media Award for Outstanding New York Theater, and has had numerous productions across the country. Her play <em>I Will Be Gone</em>, directed by Kip Fagan, premiered at the Humana Festival, Actors Theater of Louisville in 2015. Her play <em>Ann, Fran, Mary Ann</em> was commissioned by Playwrights Horizons.<br /> <br /> She has written two operas with Elizabeth Swados: <em>The Nomad </em>and <em>Kaspar Hauser.</em> Both were commissioned and produced by The Flea Theater. The musical, <em>The Tattooed Lady</em>, which she is writing with composer and lyricist, Max Vernon, has been developed with support from The Rhinebeck Writer's Retreat, The Kimmel Center, and Joe's Pub at The Public Theater. Her other plays, produced by Clubbed Thumb, include <em>Alice The Magnet</em>, directed by Pam MacKinnon, and <em>Demon Baby</em>, directed by Ken Rus Schmoll. She is an affiliated artist with Clubbed Thumb, a member of the Obie Award winning playwright's collective, 13P, as well as the co-founder of the Brooklyn Writers Space. Courtney teaches playwriting at the MFA program at Brooklyn College. She earned her MFA in playwriting at Brooklyn College under the tutelage of Mac Wellman, and she earned her BA from Brown University where she studied with Paula Vogel. She has been a member of New Dramatists since 2012, a MacDowell Colony Fellow, a Core Writer at the Playwrights' Center, and a member of The Working Farm at Space on Ryder Farm. She was awarded a Guggenheim Fellowship in 2013.</p>
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