<p/><br></br><p><b> About the Book </b></p></br></br>Addresses the 'global turn' in art history by way of the transnational Carribbean, 'Timed Out' is a comprehensive study of the art of the Atlantic world in relation to the mainstream history of art.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Timed out' is a pioneering study of modern and contemporary art in the aftermath of empire. It addresses the current 'global turn' in the study of art by way of the transnational Caribbean, offering an in-depth account of the Atlantic world in relation to the mainstream history of art. It looks at why art of the Anglophone Caribbean and its diaspora have been placed not only 'outside' but 'behind' the dominant art canons, and how the politics of space and time can be used to rethink the global geography of art. This is an essential addition to the growing field of 'world art studies', bringing concerns around temporality together with cross-cultural issues and debates. It shows how art and artists of the Caribbean have encountered and challenged the charges of belatedness, anachronism, provincialism and marginalisation that are fundamental to the time-space logic of art history.<p/><br></br><p><b> From the Back Cover </b></p></br></br>Timed out is a pioneering study of modern and contemporary art in the aftermath of empire. It addresses the current 'global turn' in the study of art by way of the transnational Caribbean, offering an in-depth account of its integral role in histories of art in the Atlantic world. It looks at why art of the Anglophone Caribbean and its diaspora has been placed not only 'outside' but 'behind' more familiar and dominant art canons, and how the politics of space and time can be engaged in new ways to rethink the global geography of art. This is an essential addition to the growing field of world art studies, bringing concerns around temporality together with cross-cultural issues and debates. It shows how art and artists of the Caribbean have encountered and challenged the charges of belatedness, anachronism, provincialism and marginalisation that are fundamental to the time-space logic of art history. Wainwright shows the Caribbean to be a vantage point for reassessing the core issues and practices of art history as a discipline. He explores the transnational interconnections of modern and contemporary art in the Caribbean, Europe and North America, redrawing the map of centre and periphery, the mainstream and the provincial. Keeping in view art, migration and diaspora, the focus shifts between abstract expressionism and figuration; Pop art and decolonisation; British 'Black art'; cultural policy, di¬versity and multiculturalism; art, music and celebration in the Indo-Caribbean; and new directions in curating and art criticism. Timed out will appeal to all those who are reconsidering modern and contemporary art, world art history and the global geography of visual culture.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>'Theoretical literature on Caribbean art is rare, which is why any book that is published on the topic deserves particular attention.' Claudia Hucke, Lecturer, Department of Art History, Edna Manley College of the Visual and Performing Arts, Kingston, Jamaica, CAA Reviews, August 2016<br><p/><br></br><p><b> About the Author </b></p></br></br>Leon Wainwright is Lecturer in Art History at the Open University.
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