<p/><br></br><p><b> About the Book </b></p></br></br>Described as "a "Fiddler on the Roof" without the music" ("Denver Post"), "The River Midnight" recounts the stories of four women in a small village near Warsaw in 1894--"a loving anatomy of the vanished world of the "shtetls" ("Kirkus Reviews").<p/><br></br><p><b> Book Synopsis </b></p></br></br>In her stunning debut novel, Lilian Nattel brilliantly brings to life the richness of shtetl culture through the story of an imagined village: Blaszka, Poland. Myth meets history and characters come to life through the stories of women's lives and prayers, their secrets, and the intimate details of everyday life. <br> When they were young, four friends were known as the <i>vilda bayas, </i> the wild creatures. But their adult lives have taken them in different directions, and they've grown apart. One woman, Misha, is now the local midwife. In a world where strict rules govern most activities, Misha, an unmarried, independent spirit becomes the wayward heart of Blaszka and the keeper of town secrets. But when Misha becomes pregnant and refuses to divulge the identity of her baby's father, hers becomes the biggest secret of all, and the village must decide how they will react to Misha's scandalous ways. <br> Nattel's magical novel explores the tension between men and women, and celebrates the wordless and kinetic bond of friendship<p/><br></br><p><b> Review Quotes </b></p></br></br><br>R.Z. Sheppard <i>Time</i> <i>The River Midnight</i> [is reminiscent] of Marc Chagall's romantic paintings. Like Faulkner's Yoknapatawpha County and García Márquez's Macondo, Nattel's imagined backwater is shot through with mythic significance.<br><br>Janice Pomerance Nimura <i>Newsday</i> A magic-realist novel with equal attention to both magic and reality -- not an easy line to walk....Nattel weaves all the strands together in a visionary climax that unites the village and points across the generations to herself.<br><br>Laura Rose <i>USA Today</i> Readers who appreciate the magic of quality research wrapped in a well-told tale will find Blaszka worth a visit.<br><br>Megan Harlan <i>Entertainment Weekly</i> Nattel's emotional, panoramic narrative proves extraordinary.<br><br>Natasha Stovall <i>The Washington Post</i> [A] mesmerizing first novel...<i>The River Midnight</i> is not simply remarkable as a historical text. Nattel's flair for the telling detail is just one treasure in her bag of writer's tricks.<br><br>Paula Friedman <i>The San Diego Union-Tribune</i> Lilian Nattel has written a first novel of wondrous mythical depth and rare spiritual beauty....No doubt possessing prodigious literary gifts, Nattel's depth of study and passion for her subject also accounts for <i>The River Midnight's</i> stunning originality.<br><br>R. Z. Sheppard <i>Time</i> [Nattel's] supple narrative technique weds the discipline of scholarship with artistic license. <i>The River Midnight</i> is inspired match-making.<br><br>Roy Hoffman <i>The New York Times Book Review</i> As enchanting as a Chagall mural...Nattel writes with refreshing bawdiness.<br><br>Sandra Brooks-Dillard <i>The Denver Post The River Midnight, </i> Lilian Nattel's lovely first novel, is like <i>Fiddler on the Roof</i> without the music...lovingly written, beautifully crafted, meticulously researched.<br><br>Tammie Bob <i>Chicago Tribune</i> How Nattel turns the ordinary stuff of [shtetl life] into images that transcend time, place and culture is the real magic of <i>The River Midnight.</i><br>
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