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<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>OSMOS Magazine</i> is "an art magazine about the use and abuse of photography," explains founder and editor Cay Sophie Rabinowitz (formerly of <i>Parkett</i> and <i>Fantom</i>). The magazine is divided into thematic sections--some traditional, such as "Portfolio," "Stories" and "Reportage"--and others more idiosyncratic, such as "Eye of the Beholder," where gallerists discuss the talents they showcase; and "Means to an End," on the side effects of non-artistic image production. This issue, <i>OSMOS Magazine #12</i>, with a stunning cover by conceptual photographer Bing Wright, features an essay by Peter Weibel on interface technology in the film work of Kathryn Bigelow, a portfolio on Peter Funch, Simon Leung's survey of recent work by Lincoln Tobier, and rare documentation about Ursula Block's infamous record store and gallery, gelbe MUSIK, founded in 1981 as <i>the</i> Berlin outlet for experimental sound art and music.<br/><br/>

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