Malarky - by Anakana Schofield (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>What happens when a woman loves her boy so intensely she destroys him? A striking new voice in Irish fiction.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>WINNER OF THE AMAZON.CA FIRST NOVEL AWARD, 2013</b><br><b>WINNER OF THE DEBUT-LITZER PRIZE, 2013 </b><br>SHORTLISTED FOR THE ETHEL WILSON FICTION PRIZE<br>A <i>NEW STATESMAN</i> READ-ALL-ABOUT-IT SELECTION FOR 2012<br>A BARNES & NOBLE DISCOVER GREAT NEW WRITERS PICK, 2012<br>A SALON.COM WHAT-TO-READ AWARD-WINNER, 2012<br>A TOP FIVE BOOK PICK, CHATELAINE<br>AN iTUNES CANADA BEST OF 2012 FICTION PICK<br>AN AMAZON.CA BEST BOOK OF 2012 EDITOR'S PICK<br>A <i>LARGEHEARTED BOY</i> FAVORITE NOVEL OF 2012<br>A NEXT BEST BOOK BLOG TOP 3, 2012 <p/>A caustic, funny and moving fantasia of an Irish mammy going round the bend.<br>--Emma Donoghue, author of <i>ROOM</i> <p/>Our Woman will not be sunk by what life's about to serve her. She's caught her son doing unmentionable things out by the barn. She's been accosted by Red the Twit, who claims to have done things with Our Woman's husband that could frankly have gone without mentioning. And now her son's gone and joined the army, and Our Woman has found a young fella to do unmentionable things with herself, just so she might understand it all... <p/><i>Malarky</i> is the story of an Irish mother forced to look grief in the eye, and of a wife come face-to-face with the mad agony of longing. Comic, moving, eccentric, and spare, Anakana Schofield's debut novel introduces a brilliant new voice in contemporary fiction. <p/><b><i>Further Praise for</i> Malarky</b> <p/>AN <i>EDMONTON JOURNAL</i> FAVOURITE FOR 2012<br>A THREE-TIME BEST-OF-THE-YEAR <i>GEORGIA STRAIGHT</i> SELECTION <p/>Anakana Schofield is part of a new wave of wonderful Irish fiction--international in scope and electrically alive.--Colum McCann <p/>Malarky is a terrific read, a brilliant collision of heartbreak and hilarity written in a voice that somehow seems both feral and perfectly controlled. Anakana Schofield's Our Woman takes a cool nod at Joyce, then goes her own way in one of the most moving and lyrical debut novels I've read.--Jess Walter, author of <i>Beautiful Ruins</i> <p/>We become comfortable saying that there's nothing new, and then something like <i>Malarky</i> comes along, which is new and old and different and familiar, but ultimately itself, comfortable in its own skin, wise and smart and crazy-sexy or maybe sexy-crazy--well, you just have to read it to understand. It's a novel that sets its own course, sure and steady, even when it seems like it might be about to go over the edge of the world.--Laura Lippman <p/>This is the story of Anakana Schofield's teapot-wielding 'Our Woman': fretful mother, disgruntled farmwife, and--surprisingly late in life--sexual outlaw/anthropologist. Everything about this primly raunchy, uproarious novel is unexpected--each draught poured from the teapot marks another moment of pure literary audacity.<br>--Lynn Coady, author of <i>The Antagonist</i> <p/>Anyone bold enough to name her book after a word so loaded deserves our attention. In <i>Malarky</i> Schofield pulls her long line tight--and lets go when we least expect it.--Michael Turner, author of <i>Hard Core Logo</i> <p/><i>Malarky</i> spins and glitters like a coin flipped in the air--now searingly tragic, now blackly funny. The language is joyful and exuberant, the characters thoughtful and deeply felt. Brilliant, brilliant, brilliant.--Annabel Lyon <p/>Good writing and dark wit always excite me and they come together thrillingly in this book. It has a quiet grip on the strangeness of the interior and exterior worlds of love and politics. I delighted in the writing and the scope.--Jenny Diski <p/><b>Anakana Schofield </b>is an Irish Canadian writer of fiction, drama, essays, and criticism. She contributes to the <i>London Review of Books </i>and <i>The Globe and Mail </i>(among others). She has lived in London, Dublin, and Vancouver; <i>Malarky</i> is her first novel.<br><p/><br></br><p><b> From the Back Cover </b></p></br></br><strong>Advance Praise for <em>Malarky</em></strong> <p/>Good writing and dark wit always excite me and they come together thrillingly in this book. It has a quiet grip on the strangeness of the interior and exterior worlds of love and politics and their inextricability. I delighted in the writing and the scope - macro and microscopic.--Jenny Diski <p/>Malarky spins and glitters like a coin flipped in the air--now searingly tragic, now blackly funny. The language is joyful and exuberant, the characters thoughtful and deeply felt. Brilliant, brilliant, brilliant. --Annabel Lyon <p/>With Malarky, Anakana Schofield has delivered a character as extraordinary as Brecht's Mother Courage, and a domestic situation that rivals Beckett's Endgame for its stagnant and sorrowful absurdity. <p/>Our Woman Philomena has just caught her son Jimmy in the barn with another man. She's been accosted by Red the Twit, who energetically discloses the infidelities--real, imagined, or in any event peculiar--of Our Woman's husband. <p/>Swamped by a confusion she refuses to let overcome her, Philomena embarks on rural odyssey that skirts madness, passes through grief, and returns her to the remarkable resilience of spirit that will make Our Woman the character of the decade. Schofield's wicked humour is everywhere apparent, and Malarky, brilliantly drawn in the cadences of contemporary Ireland, is an absolutely peerless tour-de-force. <p/>Anakana Schofield is an Irish-Canadian writer of fiction, drama, essays, and literary criticism. She contributes to the London Review of Books, The Recorder: The Journal of the American Irish Historical Society, the Globe & Mail, and the Vancouver Sun. She has lived in London and Dublin, and now resides in Vancouver. Malarky is her first novel.<br><p/><br></br><p><b> Review Quotes </b></p></br></br><br>This is a remarkably different novel. It is laugh out loud funny and sadly real. It is perceptive and revealing. It is raunchy. It is literate with no shades of gray. The protagonist, cleverly named Our Woman, is sui generis; you will not find her ilk anywhere. Hers is a voice we have not heard before and may not hear again.--<i>About.com</i> <p/>One of the delights of this novel is the language in which it is written. The tender inflections of everyday Irish speech ... seem to break into a jig, dancing to and fro ... I found in Malarky a refreshing rejection of the escapist fantasy that dominates much of our cultural life: it is boldly not fifty shades of anything. I admire Schofield's ability to pull off something so difficult with charm and brio.--<i>The Guardian</i> <p/>Schofield's portrait of a woman whose personality is beginning to fragment after a lifetime in an emotional vacuum is both blackly comic and deeply felt. There is something heroic about the desperate resilience of Our Woman, and the originality of her depiction by Schofield, that leaves an indelible trace on the reader's mind.--<i>The Telegraph</i> <p/>The best writers ... manage to balance comedy and tragedy, to combine the verbal virtuosity and high jinks of the comic vision with intelligent and sensitive insight into people's lives and hearts. And Anakana Schofield is in the ranks of the best. She weaves her words well and demonstrates many of the gifts that the novelist has to own. This novel is deeper and more thoughtful than it seems. Clever, witty, imaginative and intriguing, Malarky is a stunning debut from an exceptionally good writer.--<i>The Irish Times</i> <p/>Brilliant ... laced with dark wit and quirky lyricism, this is a striking portrait of a society in flux and a woman on the edge.--<i>The Sunday Mail</i> <p/>The Irish-Canadian author's episodic, deeply idiosyncratic work is not only eminently readable but also an absolute hoot ... told with such chuckle-inducing black humour and deep-seated intelligence it's akin to being button-holed by a fascinating, blithely imprudent stranger.--<i>Metro Herald</i> <p/>The novel's poignancy is matched by its regular comic brilliance ... Schofield overturns stereotypes partly by embracing them first, toppling traditional domestic imagery in order to fully capture Philomena's internal and external worlds ... Her writing's distinctiveness and comic energy invokes Patrick McCabe as well as Anne Enright's early work.--<i>Sunday Business Post</i> <p/><i>Malarky</i> is a bold first novel from an author whose prose hums with electric wit and linguistic daring. The novel traverses darkly comic territory with intelligence and poise, relating the story of an unnamed narrator whose resilience in the face of life's disappointments will stay with readers long after the verbal pyrotechnics have dissipated. Anakana Schofield is a true original, and her novel is a delight."--<b>Stuart Woods, Amazon.ca First Novel Award Judge</b> <p/>One of the season's best reads.--<i>The National Post</i> <p/>Quirky, raucous and utterly unconventional.--<i>Reader's Digest</i> <p/>A miracle ... move over, Molly Bloom.--Ann Kjellberg, <i>Little Star</i> <p/>This book got a lot of attention on my Twitter feed this year from many women I admire greatly. It's about Our Woman, an Irish housewife surrounded by people she can't understand, doing unmentionable things to each other. What is a woman to do? Well, just maybe try some unmentionable things herself.--Laurie Grassi, <i>Chatelaine</i> <p/>Malarky becomes truly compelling when Our Woman embodies an existential strangeness. In certain moments, we are not so far from Beckett's Molloy - Our Woman comes close to enlivening not only the political and the personal but also the human. Schofield has true promise for this kind of writing, and it is there that I hope she next turns her sizable gifts, in the book that will surely follow this resoundingly successful first novel--<i>San Francisco Chronicle</i> <p/><i>Malarky</i> is a book deeply rooted in the consciousness of a middle-aged Irish farmer's wife and mother, Philomena, or 'Our Woman', who is grieving the loss of both her husband and son. Philomena's story is remarkable for the way in which it immerses a reader in the extreme disorientation and overpowering sorrow of loss. The narrative is fractured and discursive; it loops and soars and doubles back. But if this sounds overly complicated or esoteric, it isn't, mostly because Philomena is so brave and flawed and strange a character and her means of dealing with her losses so, well, human. This is a funny, raunchy, moving read, written in beautiful, brave prose.--Heather Birrell, <i>The Next Best Book Blog</i> <p/>A fascinating voyage into the mind of a woman embattled ... absolutely beautiful.--<i>Toronto Star</i> <p/>The immensely gifted Anakana Schofield's vivid study of a middle-aged Irish housewife's nervous breakdown has a huge heart and a fierce brain; Malarky is, by a wide margin, the most memorable fiction I've read this year.--Brian Lynch, <i>The Georgia Straight</i> <p/>A glorious, breathless romp through the mind of an immensely likeable woman--<i>Slightly Bookist</i> <p/>One of the most vivid fictional creations to come along in years... Schofield starts at a pitch of inspiration most novels are lucky to reach at any point and remarkably sustains that level all the way through.--<i>The Montreal Gazette</i> <p/>This is a brilliant book. Finely drawn, deceptively muscular, and pulsing with warm intelligence and wit--<i>The Rover</i> <p/>Schofield's brilliant storytelling in <i>Malarky</i> is among the most engaging I've ever encountered.--<i>The Longest Chapter</i> <p/><i>Malarky</i> is an exemplary read ... I look forward to the next of Anakana Schofield's novels.--Scott Esposito, <i>Conversational Reading</i> <p/>Irish-Canadian literary critic Anakana Schofield's first novel is a tumultuous ride. <i>Malarky</i> asks questions without providing answers, chronicling the emotional, mental, and occasionally menial anxieties of Our Woman as she struggles with her own agency and desire. Set in contemporary Ireland, the book overflows with subtle and sometimes subversive allusions to James Joyce's <i>Ulysses</i>, Thomas Hardy's <i>Tess of the d'Urbervilles</i>, site-specific contemporary Irish art, and Catholic history. Yet Schofield's strong prose style and inventive approach to structure will likely reward readers unfamiliar with these cultural references.--<i>Quill & Quire</i> <p/>Delightfully offbeat ... Schofield shows a deft - and altogether welcome - comic touch.--<i>The National Post</i> <p/>The love of a mother for her son is the central theme of this novel. But the book has much to ask and much to say about many other topics as well, among them empowerment through sex, loneliness in marriage, the futility of war, the strains of immigration and the margins of mental health. Schofield's ability to tie all these together in such an original, quirky, tender and eloquent way is to be commended ... <i>Malarky</i> is an alternately beautiful, brilliant, profound, poignant and comedic work of literary fiction. --<i>The Winnipeg Free Press</i> <p/>I loved this book <i>Malarky</i> ... I was gobsmacked.--Sheryl MacKay, CBC Radio, <i>North by Northwest</i> <p/><i>Malarky</i> is like nothing else, and what everything should be ... This is a book that will leave you demanding more of everything else you read.--<i>Pickle Me This</i> <p/><i>Malarky</i> is a wacky, dead serious book, and what stands out more than anything is its freshness in a sea of same-old, same-old novels."--<i>The Telegraph Journal</i> <p/>A challenging but rewarding look at what happens to a mother when the bottom drops out.--<i>The Vancouver Sun</i> <p/>Head and shoulders above many of its peers.--<i>The Georgia Straight</i> <p/>I loved this book from its opening lines ... Schofield's strong beautiful prose is compelling.--<i>Freefall Magazine</i> <p/>Mordantly funny ... <i>Malarky</i>, a recent and notable addition to the growing field of mad studies--the exploration of oppressive practices directed against those deemed 'mad'--explores the uses of humour to unveil and counteract that oppression.--<i>Canadian Literature</i><br><p/><br></br><p><b> About the Author </b></p></br></br>Anakana Schofield: Anakana Schofield is an Irish-Canadian writer of fiction, essays, and literary criticism. She contributes to the <i>London Review of Books</i>, <i>The Recorder: The Journal of the American Irish Historical Society</i>, the <i>Globe & Mail</i>, and the <i>Vancouver Sun</i>. She has lived in London and Dublin, and now resides in Vancouver. <i>Malarky</i> is her first novel. <p/>
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