Chushingura (the Treasury of Loyal Retainers) - (Translations from the Asian Classics) (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br><P>"Chushingura (The Treasury of Loyal Retainers), " also known as the story of the Forty-Six (or Forty-Seven) Ronin, is the most famous and perennially popular of all Japanese dramas. Written in the eighteenth century as a puppet play, it is now best known through Kabuki theater performances.This edition includes a new preface, introduction, and notes.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Chushingura (The Treasury of Loyal Retainers), also known as the story of the Forty-Six (or Forty-Seven) Ronin, is the most famous and perenially popular of all Japanese dramas. Written around 1748 as a puppet play, it is now better know in Kabuki performances. In the twentieth century, cinema and television versions have been equally successful. Donald Keene here presents a complete translation of the original text, with notes and an introduction that increase the reader's comprehension and enjoyment of the play. The introduction also elucidates the idea of loyalty. This traditional virtue, as exemplified in Chushingura, has never completely lost its hold on audiences, in spite of twentieth-century changes in Japanese society and moral ideas. Moreover, as Professor Keene points out, the excitement, color and violence expressed in the play may be considered the counterpoint to the austere restraint and understatement which are more commonly thought to be "traditionally" Japanese.</p><p/><br></br><p><b> From the Back Cover </b></p></br></br>Chushingura (The Treasury of Loyal Retainers), also known as the story of the Forty-Six (or Forty-Seven) Ronin, is the most famous and perenially popular of all Japanese dramas. Written around 1748 as a puppet play, it is now better know in Kabuki performances. In the twentieth century, cinema and television versions have been equally successful. Donald Keene here presents a complete translation of the original text, with notes and an introduction that increase the reader's comprehension and enjoyment of the play. The introduction also elucidates the idea of loyalty. This traditional virtue, as exemplified in Chushingura, has never completely lost its hold on audiences, in spite of twentieth-century changes in Japanese society and moral ideas. Moreover, as Professor Keene points out, the excitement, color and violence expressed in the play may be considered the counterpoint to the austere restraint and understatement which are more commonly thought to be "traditionally" Japanese.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"Through his graceful, resourceful translations and his elegant, exhaustive scholarly books, [Keene] is almost single-handedly responsible for the current popularity of Japanese literature in English-speaking countries." -- "The New Yorker"<br><p/><br></br><p><b> About the Author </b></p></br></br><P>Donald Keene is Shincho Professor of Japanese Literature and University Professor Emeritus at Columbia University. He is also President of the Donald Keene Foundation of Japanese Culture.
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