The Brief Wondrous Life of Oscar Wao (Reprint) (Paperback) by Junot Diaz
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<p/><br></br><p><b> About the Book </b></p></br></br> Winner of both the National Book Critics Circle Award and the Pulitzer Prize for Fiction, the most talked about--and praised--smash hit of 2007 follows the adventures of a sweet but disastrously overweight ghetto nerd plagued by a family curse. <p/><br></br><p><b> Book Synopsis </b></p></br></br> <p><b>Winner of: <br> The Pulitzer Prize<br> The National Book Critics Circle Award<br> The Anisfield-Wolf Book Award<br> The Jon Sargent, Sr. First Novel Prize<br> A <i>Time</i> Magazine #1 Fiction Book of the Year</b> <p/> <b>One of the best books of 2007 according to: <i>The New York Times</i>, <i>San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, </i>New York Public Library, and many more... <p/> <b>Nominated as one of America's best-loved novels by PBS's <i>The Great American Read</i></b><br></b><br>Oscar is a sweet but disastrously overweight ghetto nerd who--from the New Jersey home he shares with his old world mother and rebellious sister--dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú--a curse that has haunted Oscar's family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, <i>The Brief Wondrous Life of Oscar Wao</i> opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere--and risk it all--in the name of love.</p> <p/><br></br><p><b> Review Quotes </b></p></br></br> An extraordinarily vibrant book that's fueled by adrenaline-powered prose. . . A book that decisively establishes [Díaz] as one of contemporary fiction's most distinctive and irresistible new voices.<b> --</b>Michiko Kakutani, <i>The New York Times</i> <p/>Díaz finds a miraculous balance. He cuts his barn-burning comic-book plots (escape, ruin, redemption) with honest, messy realism, and his narrator speaks in a dazzling hash of Spanish, English, slang, literary flourishes, and pure virginal dorkiness. --<i>New York Magazine <p/></i>Genius. . . a story of the American experience that is giddily glorious and hauntingly horrific. And what a voice Yunior has. His narration is a triumph of style and wit, moving along Oscar de Leon's story with cracking, down-low humor, and at times expertly stunning us with heart-stabbing sentences. That Díaz's novel is also full of ideas, that [the narrator's] brilliant talking rivals the monologues of Roth's Zuckerman<b>--</b>in short, that what he has produced is a kick-ass (and truly, that is just the word for it) work of modern fiction<b>--</b>all make <i>The Brief Wondrous Life of Oscar Wao</i> something exceedingly rare: a book in which a new America can recognize itself, but so can everyone else. --<i>San Francisco Chronicle</i> <p/>Astoundingly great. . . Díaz has written. . . a mixture of straight-up English, Dominican Spanish, and hieratic nerdspeak crowded with references to Tolkien, DC Comics, role-playing games, and classic science fiction. . . In lesser hands <i>Oscar Wao</i> would merely have been the saddest book of the year. With Díaz on the mike, it's also the funniest. <b>--</b><i>Time <p/></i>Superb, deliciously casual and vibrant, shot through with wit and insight. The great achievement of <i>The Brief Wondrous Life of Oscar Wao</i> is Díaz's ability to balance an intimate multigenerational story of familial tragedy. . . The past and present remain equally in focus, equally immediate, and Díaz's acrobatic prose toggles artfully between realities, keeping us enthralled with all. --<i>The Boston Globe <p/></i>Panoramic and yet achingly personal. It's impossible to categorize, which is a good thing. There's the epic novel, the domestic novel, the social novel, the historical novel, and the 'language' novel. People talk about the Great American Novel and the immigrant novel. Pretty reductive. Díaz's novel is a hell of a book. It doesn't care about categories. It's densely populated; it's obsessed with language. It's Dominican and American, not about immigration but diaspora, in which one family's dramas are entwined with a nation's, not about history as information but as dark-force destroyer. Really, it's a love novel. . . His dazzling wordplay is impressive. But by the end, it is his tenderness and loyalty and melancholy that breaks the heart. That is wondrous in itself. --<i>Los Angeles Times</i> <p/>Díaz's writing is unruly, manic, seductive. . . In Díaz's landscape we are all the same, victims of a history and a present that doesn't just bleed together but stew. Often in hilarity. Mostly in heartbreak. --<i>Esquire <p/></i>The Dominican Republic [Díaz] portrays in <i>The Brief Wondrous Life of Oscar Wao</i> is a wild, beautiful, dangerous, and contradictory place, both hopelessly impoverished and impossibly rich. Not so different, perhaps, from anyone else's ancestral homeland, but Díaz's weirdly wonderful novel illustrates the island's uniquely powerful hold on Dominicans wherever they may wander. Díaz made us wait eleven years for this first novel and <i>boom!--</i>it's over just like that. It's not a bad gambit, to always leave your audience wanting more. So brief and wondrous, this life of Oscar. Wow. --<i>The Washington Post Book World</i> <p/> Terrific. . . High-energy. . . It is a joy to read, and every bit as exhilarating to reread. --<i>Entertainment Weekly <p/></i> Now that Díaz's second book, a novel called <i>The Brief Wondrous Life of Oscar Wao</i>, has finally arrived, younger writers will find that the bar. And some older writers--we know who we are--might want to think about stepping up their game. <i>Oscar Wao</i> shows a novelist engaged with the culture, high and low, and its polyglot language. If Donald Barthelme had lived to read Díaz, he surely would have been delighted to discover an intellectual and linguistic omnivore who could have taught even him a move or two. --<i>Newsweek<br></i><br>Few books require a 'highly flammable' warning, but <i>The Brief Wondrous Life of Oscar Wao, </i>Junot Díaz's long-awaited first novel, will burn its way into your heart and sizzle your senses. Díaz's novel is drenched in the heated rhythms of the real world as much as it is laced with magical realism and classic fantasy stories. --<i>USA Today <p/></i>Dark and exuberant. . . this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Díaz. --<i>Publishers Weekly</i> <p/><br></br><p><b> About The Author </b></p></br></br> <b>Junot Díaz </b>was born in the Dominican Republic and raised in New Jersey. He is the author of the critically acclaimed <i>Drown</i>; <i>The Brief Wondrous Life of Oscar Wao</i>, which won the 2008 Pulitzer Prize and the National Book Critics Circle Award; <i>This Is How You Lose Her</i>, a <i>New York Times </i>bestseller and National Book Award finalist; and a debut picture book, <i>Islandborn.</i> He is the recipient of a MacArthur "Genius" Fellowship, PEN/Malamud Award, Dayton Literary Peace Prize, Guggenheim Fellowship, and PEN/O. Henry Award. A graduate of Rutgers College, Díaz is currently the fiction editor at <i>Boston Review </i>and the Rudge and Nancy Allen Professor of Writing at the Massachusetts Institute of Technology.
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