Children of the Days - by Eduardo Galeano (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Galeano's new book is his richest and most poetic yet, a joyous calendar of the sacred and the damned, a book of inspiration for those fighting tyranny, greed, and amnesia Unfurling like a medieval book of days, each page of Galeano's new work has an illuminating story that takes inspiration from that day of the calendar year. Each entry resurrects the heroes and heroines who have fallen off the historical map, but whose lives remind us of our darkest hours and sweetest victories. Among many others, you will discover the Brazilians who held a "smooch in" to protest a dictatorship that banned kisses that "undermined public morals" and learn of the day Mexico invaded the United States, the "sacrilegious" women who had the effrontery to marry each other in a church in 1901, and Abdul Kassem Ismael, the grand vizier of Persia, who kept books safe from war by creating a walking library, 117,000 books aboard four hundred camels, forming a mile-long caravan. Beautifully translated by Galeano's longtime collaborator, Mark Fried, Children of the Days is a great humanist treasure that shows us how to live and how to remember. It awakens the best in us. "--<p/><br></br><p><b> Book Synopsis </b></p></br></br>Selected by "Guernica" magazine as an "Editors' Picks: Best of 2013"<p/><br></br><p><b> Review Quotes </b></p></br></br><br><b><i>The Observer</i> (UK) </b> <p/>Eduardo Galeano's <i>Children of the Days: A Calendar of Human History</i> is another impressive work of cogent and creative insight from a prophet who opens our eyes to the world as it is and as it could be if more of us would fight for peace, justice, and human equality.<br><b>Spirituality & Practice</b> <p/>Galeano's genre is his own - a mixture of fiction, journalism and history that, as always, is conveyed in orderly fragments of various sizes and is best understood as an outgrowth of his first midteen self-expressions as a socialist cartoonist. If you think of every short individual Galeano piece in the mammoth collection of them that comprises his life's work as a kind of verbal cartoon - or a set of variations on a verbal cartoon - then you understand both the striking singularity of his work and its innovation...Galeano's fire is unquenched. He keeps giving it to us in abundance.<br><b>Buffalo News</b><br><br>"<i>Children of the Days</i> is a book to dip into; less a narrated history than a compendium of oddments. His writing is full of candour, empathy, humane concern and also predictable convictions...Herein lies Galeano's central appeal: he evokes the marvels of a remarkable world that is not so bad after all."<br><b><i>Financial Times</b></i> <p/>"The stories themselves, broken into pieces, present both Galeano's aesthetic and his view of history. The portrait of memory as fragmentary and non-linear reproduces the reality of ageing. At the same time, the shattering of the past into pieces offers a textual embodiment of broken pasts. The impact of this literary approach to the history of violent disappearances is a lasting and universal one."<br><b><i>The Independent </i>(UK)</b> <p/>"The arrival of a new book by one of our great writers is always an event.... You might think of his latest volume as a prayer book for our time: a page a day for 365 days focused on what's most human and beautiful, as well as what's most grasping and exploitative, on this small, crowded planet of ours. I would be urging all of you to celebrate the event and buy copies under any circumstances."<br><b>Tom Engelhardt, <i>TomDispatch</b></i><br><br>Bedtime stories, you remember? This is a book of stories for each day of the year, addressed to adults. Stories of the historical human venture. Each story half a page. Put it beside your bed and the bed of those you love.<br><b>John Berger</b> <p/>Engaging.<br><b><i>The Times of London</i> (UK)</b> <p/>Eduardo Galeano's winningly eccentric <i>Children of the Days: A Calendar of Human History</i> is packed with enough rogues and history changers to last a lifetime.<br><b><i>Vanity Fair</i>, Hot Type</b> <p/>With each passing day, details of an important event-or one lost to history's selective memory-illuminate the humanity and barbarism of our species. Good and evil, beauty and ugliness, generosity and greed-all are juxtaposed to great effect.... [T]his is a heady portrait of the human story rendered in broad, though no less incisive and affecting, strokes.<br><b><i>Publishers Weekly</b></i> <p/>Galeano's many readers will surely find this secular calendar appealing.<br><b></i>Kirkus Reviews</i></b><br><br>Eduardo Galeano is the great master of fragments and splinters, a prince of the absurdly truthful. <i>Children of the Days</i>, his Calendar of Human History, is an immensely varied gathering of facts and oddments and truths and stories of every kind. Underlying them all is a passionate and humane concern for the underdog, the poor, the forgotten. How this can be so funny and at the same time so moving is a great mystery.<br><b>Philip Pullman</b> <p/>What category to put our beloved poet-historian, historian-poet in? Galeano is truly a Scheherazade. He keeps me morally awake, while also lifting my spirits with his ability to reveal in story-form the deep, sweet humanity which rebounds even after the cruelest moments of history. Reading Galeano, I'm often reminded of Joseph Conrad's claims for what writing should do: 'art itself may be defined as a single-minded attempt to render the highest kind of justice to the visible universe, by bringing to light the truth, manifold and one, underlying its every aspect.' That is reason enough to stay morally awake!<br><b>Julia Alvarez</b><br><br>It's May, but this is a Christmas kind of a book: giftable, covetable, hefty, handsome, a veritable plum pudding of a thing, its lovely midnight-blue cover designed to look as though dotted with stars, or perhaps dusted with sugar, and slathered all over with generous custardy recommendations from both Philip Pullman and John Berger... Galeano chronicles events and anniversaries from the history of oppressed nations, adding the odd dash of fictional fun and philosophical musing... The effect is dizzying, like staring up close for a very long time at the walls of Gaudí's Sagrada Família...<i>Children of the Days</i> is the ne plus ultra of the Galeano style and form, a triumph of his mosaic art - 365 sad and strange and shiny little fragments, placed adjacent to one another to form a vast and seemingly coherent whole...This is a book of days, not for every day but for any day.<br><b>The Guardian</b> <p/>Compelling, enlightening, tragic, hopeful, and hypnotic book: history in poetic snapshots... There are great stories in the book, pain and injustice too. And there is hope.<br><b><i>Chicago Tribune</i></b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Eduardo Galeano</b> (1940-2015) was one of Latin America's most distinguished writers. A Uruguayan journalist, writer, and novelist, he was considered, among other things, a literary giant of the Latin American left and global soccer's preeminent man of letters. He is the author of the three-volume Memory of Fire, <i>Open Veins of Latin America, Soccer in Sun and Shadow, The Book of Embraces, Walking Words, Upside Down</i>, and <i>Voices in Time</i>. Born in Montevideo in 1940, he lived in exile in Argentina and Spain for years before returning to Uruguay. <p/> His work has been translated into twenty-eight languages. He is the recipient of many international prizes, including the first Lannan Prize for Cultural Freedom, the Casa de las Americas Prize, and the First Distinguished Citizen of the region by the countries of Mercosur. Galeano once described himself as a writer obsessed with remembering, with remembering the past of America and above all that of Latin America, intimate land condemned to amnesia. Isabel Allende, who said her copy of Galeano's book was one of the few items with which she fled Chile in 1973 after the military coup of Augusto Pinochet, called <i>Open Veins of Latin America</i> a mixture of meticulous detail, political conviction, poetic flair, and good storytelling.
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