<p/><br></br><p><b> About the Book </b></p></br></br>Schoenberg's theory of "composition with twelve tones" dominated international composition through most of the 20th century -- and this edition collects the first steps of the composer's revolution.<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>Perhaps more than any other composer of his time, Arnold Schoenberg (1874-1951) influenced the course of twentieth-century music. His compositional style moved progressively from lush, late Wagnerian chromaticism to a complete break with traditional tonality, later organized theoretically as "composition with twelve tones." This systematic control of all pitches evolved into a similar serialization of all of music's elements -- a revolutionary advance that dominated international composition through most of this century.<br>This edition of two of Schoenberg's most important orchestral works invites music lovers into the first steps of the revolution he helped bring about. The symphonic poem <i>Pelleas und Melisande</i> (1902), based on Maurice Maeterlinck's play, reveals Schoenberg's expanding chromatic language. <i>The Five Orchestral Pieces</i> (1909) demonstrates the composer's daring exploration of a music that renounces motivic connections as well as tonality. Both of these groundbreaking works are presented here in authoritative editions.</p>
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