The Adventures of Pinocchio - by Carlo Collodi (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>Pinocchio, a wooden puppet full of tricks and mischief, with a talent for getting into and out of trouble, wants more than anything else to become a real boy.<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>A revelatory new annotated edition of the most translated Italian book in the world--soon to be *two* major motion pictures: a Netflix animated version co-directed and co-written by Guillermo del Toro and voiced by Ewan McGregor, Cate Blanchett, and Tilda Swinton, and a Disney Plus live-action version directed by Robert Zemeckis and starring Tom Hanks, <b>Cynthia Erivo, </b> Joseph Gordon-Levitt, Lorraine Bracco, and <b>Keegan-Michael Key</b> <p/>A Penguin Classic</b> <p/>Carved from a piece of wood by the old carpenter Geppetto, the puppet Pinocchio comes to life and immediately starts to misbehave. But while this beloved character has achieved literary immortality, the novel has been widely misunderstood. Pinocchio has a penchant for lying, to be sure, but it's when he avoids going to school that he repeatedly gets into trouble. <i>The Adventures of Pinocchio</i> is thus not a cautionary tale about lying but an unusually timely fable for our increasingly authoritarian times--a story about the importance of education and of preventing others from pulling our strings. <p/>This effervescent new translation captures the antic spirit that makes the mischievous, egotistical, and easily distracted Pinocchio a late nineteenth-century prototype for the likes of Bart Simpson. Featuring copious annotations informed by the translators' deep knowledge of Italy, it reveals the novel to be not only a subversively entertaining children's book but also a sophisticated satire reflecting the author's concern for the social inequality of his time and his belief that duty to others is at the core of our humanity.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"An effort to reclaim the spirit of the original, particularly as something distinct from the animated Disney cartoon that most are familiar with . . . Their goal . . . is not dissimilar to that of Matteo Garrone in his wonderfully dark film adaptation: to demonstrate, once again, that <i>Pinocchio</i> is far more than just a children's story." ―<b><i>The Week in Italy</i></b><br><p/><br></br><p><b> About the Author </b></p></br></br><b>Carlo Collodi</b> (1826-1890) was the pen name of Carlo Lorenzini, an Italian author, journalist, translator, critic, and satirist from Florence who took part in Italy's struggle for independence and died too soon to witness the international success of his masterpiece, <i>The Adventures of Pinocchio, </i>which is laced with wry comments on Italian society, some as relevant today as they were in the late nineteenth century. <p/><b>John Hooper</b> (translator) is Italy and Vatican correspondent of <i>The Economist</i> and the author of the bestseller <i>The Italians.</i> He has reported from Italy for more than twenty years and is a lecturer at the Florence campus of Stanford University. <p/><b>Anna Kraczyna</b> (translator) is a native of Florence, the daughter of American artists who moved to Italy. She has taught at the Florence campuses of Stanford University and Sarah Lawrence College, and divides her time among translating, interpreting, and lecturing at American universities in her native city on the language, literature, and society of Italy.
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