Resonances - by Michael Goddard & Benjamin Halligan & Nicola Spelman (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>Resonances</i> is a compelling collection of new essays by scholars, writers and musicians, all seeking to explore and enlighten this field of study. Noise seems to stand for a lack of aesthetic grace, to alienate or distract rather than enrapture. And yet the drones of psychedelia, the racket of garage rock and punk, the thudding of rave, the feedback of shoegaze and post-rock, the bombast of thrash and metal, the clatter of jungle and the stuttering of electronica, together with notable examples of avant-garde noise art, have all found a place in the history of contemporary musics, and are recognised as representing key evolutionary moments. Noise therefore is the untold story of contemporary popular music, and in a critical exploration of noise lies the possibility of a new narrative: one that is wide-ranging, connects the popular to the underground and avant-garde, fully posits the studio as a musical instrument, and demands new critical and theoretical paradigms of those seeking to write about music.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><i></i>The collection itself is a diverse mix.<i>..Resonances</i> is fairly highbrow. The book's language is intensively scholarly, and its appeal mostly academic.<br/>Pop Matters!<br><br><i>Resonances</i> offers a conceptually diverse yet simultaneously minutely detailed investigation of noise that draws a line between popular music, cultural and sound studies. ... [<i>Reverberations</i> and <i>Resonances</i>] are a significant achievement, a comprehensive collection of thinking to date about where noise fits into our cultural lives, pointing forward towards a fertile development of the field.<br/>Popular Music<br><br>From overviews of specific artists--Lou Reed, Einsturzende Neubaten, Diamanda Galas, Filthy Turd--to theorizing about the sonics of feminism, computer sounds, turntablism, and composition, this timely book resituates noise not as Jacques Attali's societal 'herald of change' but as a vital and everyday part of the new media landscape. It's a great addition to any serious sound scholar's library.<br/>Gina Arnold, Adjunct Professor of Rhetoric at University of San Francisco and author of Route 666: On The Road To Nirvana<br><p/><br></br><p><b> About the Author </b></p></br></br><p><b>Michael Goddard</b> is Lecturer in Media Studies at the University of Salford, UK. He has published research in media and aesthetic theory, Eastern European film and visual culture and anomalous forms of popular music. <p/><b>Ben Halligan</b> runs the Graduate Programme for the School of Media, Music and Performance at the University of Salford, UK, teaching in the areas of Critical Theory, Media Studies and Performance at undergraduate and postgraduate levels. <p/><b>Nicola Spelman</b> is Senior Lecturer in Popular Music at the University of Salford, UK.</p>
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