The Poet as Phenomenologist - (New Directions in German Studies) by Luke Fischer (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><i>The Poet as Phenomenologist: Rilke and the New Poems</i> opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl.<br/><br/>Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's <i>Neue Gedichte</i> (1907) and <i>Der neuen Gedichte anderer Teil</i> (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>Fischer, as a poet himself, comes into his own when he writes about [Rilke's] poems ... [A] fresh reading of Rilke as a poet who evokes the world we are in and belong to, rather than are alienated from and trying to escape.<br/>Times Literary Supplement<br><br>Luke Fischer focuses on Rilke's 'diligence and devotion' to seeing phenomena as suffused with meaning and to embodying this seeing in enabling words. He traces the development of Rilke's poetic practice to his encounters with Cézanne, Rodin, and Jakob von Uexküll's <i>Umwelt</i> theory, and in close readings he elucidates the disclosive powers of some of the major poems in Rilke's <i>Neue Gedichte</i>. The result is a compelling demonstration of the ability of Rilke's poetic art to capture meanings in the world in a way that recovers an understanding of distinctively human attentive being within nature. This is vital work for anyone concerned with poetry and the fate of the human.<br/>Richard Eldridge, Charles and Harriett Cox McDowell Professor of Philosophy, Swarthmore College, USA<br><br>This thick volume's appeal will be limited to two small but intellectually impassioned audiences: scholars of the interrelations of philosophy and poetry in general and those specifically interested in Rilke as a philosophical poet in the tradition of Hölderlin ... Fischer's command of the vast secondary literature of his chosen fields is remarkable. The author does a good job reminding readers of what has been covered as the text moves along ... A remarkable effort of great erudition and insight, this book will find a place in the field of phenomenology of literary aesthetics as well as Rilke studies. <b>Summing Up: </b> Recommended. Graduate students and researchers.<br/>CHOICE<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Luke Fischer</b> (PhD, University of Sydney) is an independent scholar and award-winning poet. He has held post-doctoral fellowships and taught at universities in the U.S. and Germany and is an honorary associate in the philosophy department at the University of Sydney, Australia. His publications include the poetry collection <i>Paths of Flight</i> (2013), articles, translations, and poems in journals, anthologies, and edited volumes, as well as a book of bedtime stories (<i>The Blue Forest</i>, 2014). He won the 2012 Overland Judith Wright Poetry Prize, has been shortlisted for the Newcastle Poetry Prize, and was commended in the 2013 FAW Anne Elder Award for a first book of poems.
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