Female wrestler Peaches Page signs a contract with crooked sports promoter Umberto Scalli, whose gymnasium is a front for illegal gambling activities. Initially determined to focus on her career, Peaches works hard to make the grade but finds herself falling for Scalli - even though she's been warned off him by Ruby, the promoter's former girl friend. The romance could be short-lived: oily Umberto owes a fortune to local mob kingpin Mr. Big, and he's forced to decide whether or not to testify before a Senate committee investigating gambling - a course that could earn him a bullet in the head.<p>Originally titled <i>Racket Girls</i>, this delightfully cheesy melodrama produced by exploitation-film pioneer George Weiss (whose other "hits" included <i>Glen or Glenda</i>, <i>Test Tube Babies</i>, and <i>Dance Hall Racket</i>) exists primarily to showcase the spectacularly endowed Peaches Page, whose bountiful breasts seem to take on a life of their own as she jogs, jumps rope, and works out on a rowing machine. She plies her real-life trade in hilariously staged wrestling matches, which account for a sizable chunk of the film's running time. In the interest of verisimilitude, real-life champions Clara Mortensen and Rita Martinez join Peaches on screen, but that's where any attempt at realism ends. - Ed Hulse
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