<p/><br></br><p><b> About the Book </b></p></br></br>"In these wry and explosively funny essays, nature obsessive Charles Hood reveals his abiding affection for the overlooked and undervalued parts of the natural world"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>A quirky and reverent romp through nature with an irreverently funny guide</b> <p/> In these wry and explosively funny essays, nature obsessive Charles Hood reveals his abiding affection for the overlooked and undervalued parts of the natural world. Like a Bill Bryson of the Mojave exurbs, Hood takes us on a joyride through the obscure, finding wilderness in Hollywood palms, the airports of Alaska, and the empty lots of Palmdale. In a zinger-filled whirl of literary and artistic allusions, he celebrates Audubon's droopy condor, the world-changing history of a cactus parasite, and the weird art of natural history dioramas. This debut collection of creative nonfiction from a widely published poet, photographer, and wildlife guide unveils the wonderment of nature's underbelly with poetic vision and singular wit.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"What makes this collection such a consistent joy is ultimately how hopeful the author feels, and how much he continues to enjoy moving through the world despite the twin realities of bad knees and climate change. [...] Reading Hood's work will make you feel smarter but, even more crucially in this dire age, more open to the sublime. [...] Read this book. It's a true delight." -- <i><b>LA Times</b></i></p><p><br></p><p>"Among nature writers now working, Charles Hood may be my favorite. He never stops telling stories, and his perspective is fundamentally comic, even when he's recounting a tragedy."--<b>Jonathan Franzen</b><br></p> <p/>"Once you've had a taste of the world of Charles Hood, you'll want to follow him wherever he goes. He's brilliantly entertaining and this is his best book yet."--<b>Elizabeth McKenzie</b>, author of <i>The Portable Veblen</i><br> <p/><br>"Hood is the love child of Rebecca Solnit and Edward Abbey, assuming such a child had been raised in an art colony by demented garden gnomes."--<b>Michael Guista</b>, author of Brain Work, winner of the Bakeless Prize for Literature<br> <p/><br>"Charles Hood's essay about James Audubon's work should be required for anyone who possesses a pair of eyes, whether or not they use them for birdwatching or perusing art."--<b>William Fox</b>, Director of The Center for Land + Environment, Nevada Museum of Art<br>
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