<p/><br></br><p><b> Book Synopsis </b></p></br></br>Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.<p/><br></br><p><b> Review Quotes </b></p></br></br><br><p>"Hall's book is engaging, stimulating and generative. ... Hall provides readers with enough critical-musicking instruments to equip themselves as destructive musicians--or better, 'destructive musickers'--in their own right. ... Musical Revolutions is a compelling and well-crafted provocation for future scholars to 'Bring the Noise.'" (Martin Law, Marx and Philosophy, marxandphilosophy.org.uk, April, 2016)</p><p><br></p><br><p/><br></br><p><b> About the Author </b></p></br></br>Mirko M. Hall is Associate Professor of German Studies and Affiliate Faculty in Philosophy in the Department of Languages, Cultures, and Literatures at Converse College, USA.
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