Cartoon Vision - by Dan Bashara (Hardcover)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Cartoon Vision examines American animation alongside the modern design boom of the postwar era. Focusing especially on United Productions of American (UPA), a studio whose graphic, abstract style defined the postwar period, Daniel Bashara considers animation as a laboratory exploring new models of vision and space, tracing the links--both literal and aesthetic--between animators, architects, and designers developing a midcentury modernism that rigorously reimagined the senses. Invoking the American Bauhaus legacy of Lâaszlâo Moholy-Nagy and Gyèorgy Kepes, Cartoon Vision advocates for animation's pivotal role in a utopian design project of retraining the public's vision to better apprehend a rapidly changing modern world"--Provided by publisher.<p/><br></br><p><b> Book Synopsis </b></p></br></br>In <i>Cartoon Vision</i> Dan Bashara examines American animation alongside the modern design boom of the postwar era. Focusing especially on United Productions of America (UPA), a studio whose graphic, abstract style defined the postwar period, Bashara considers animation akin to a laboratory, exploring new models of vision and space alongside theorists and practitioners in other fields. The links--theoretical, historical, and aesthetic--between animators, architects, designers, artists, and filmmakers reveal a specific midcentury modernism that rigorously reimagined the senses. <i>Cartoon Vision </i>invokes the American Bauhaus legacy of László Moholy-Nagy and György Kepes and advocates for animation's pivotal role in a utopian design project of retraining the public's vision to better apprehend a rapidly changing modern world.<p/><br></br><p><b> From the Back Cover </b></p></br></br>"An inspired account of the experimental design idiom of the legendary UPA studios. <i>Cartoon Vision</i> frames modern animation as part of an urgent project to reorganize vision in a postwar climate of sensory overstimulation. By showing us what Mr. Magoo owed to Moholy-Nagy, Bashara's bold interdisciplinary study unsettles familiar stories about midcentury modernism."--Justus Nieland, author of <i>Happiness by Design: Modernism and Media in the Eames Era</i> <p/> "By repositioning United Productions of America (UPA)--one of the twentieth century's most important animation studios--in a history that goes beyond animation and American cinema to concurrent movements in interwar American art and mid-century design thinking, <i>Cartoon Vision</i> makes a critical contribution to the history of American visual culture at large. It is sure to become a valuable source for historians of many stripes, from film and media studies to art and design to American modernism."--Brian R. Jacobson, author of <i>Studios Before the System: Architecture, Technology, and the Emergence of Cinematic Space</i> <p/><p/><br></br><p><b> Review Quotes </b></p></br></br><br>"<i>Cartoon Vision</i> treats animation with all the seriousness it deserves, and in so doing captures a messier modernism that rightly brings avant-garde practice into contact with a more diverse field of popular taste."-- "Oxford Art Journal"<br><p/><br></br><p><b> About the Author </b></p></br></br><b>Dan Bashara</b> is an instructor of cinema and media studies at DePaul University.
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