Why We Write - by Randy Brown (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>"Tap into publishing inspirations, writing markets, and creative techniques with advice from more than 60 best-selling, established, and emerging authors of military, national security, and war topics! Whether you're writing military-themed genre fiction or literary non-fiction, strategy or policy analysis, history or journalism, or even modern war poetry, Why We Write: Craft Essays on Writing War puts an arsenal of innovation and expertise at your fingertips! ...Entertaining, informal, and accessible, this first-ever Military Writers Guild-sponsored anthology is ideal for: Individual creatives and scholars; Writing workshops; Classroom discussions of war literature, literary history, and popular culture; Professional development forums."--Back cover.<p/><br></br><p><b> Book Synopsis </b></p></br></br><strong></strong><p>For military service members, veterans, and families-<strong>and all those who write about them!</strong></p><p>Tap into <strong>PUBLISHING INSPIRATIONS</strong>, <strong>WRITING MARKETS</strong>, and <strong>CREATIVE TECHNIQUES</strong> with advice from <strong>MORE THAN 60 BEST-SELLING</strong>, <strong>ESTABLISHED</strong>, and <strong>EMERGING AUTHORS </strong>of military, national security, and war topics!<strong></strong></p><p>Whether you're writing <strong></strong>military-themed <strong>genre fiction</strong> or <strong>literary non-fiction</strong>, <strong>strategy</strong> or <strong>policy analysis</strong>, <strong>history</strong> or <strong>journalism</strong>, or even <strong></strong>modern<strong> war poetry</strong>, <em><strong>Why We Write: Craft Essays on Writing War</strong></em> puts an arsenal of innovation and expertise at your fingertips!</p><p>Choose your weapons: Podcasts! Memoirs! Novels! Book reviews! Short stories! Op-Ed essays! And more!</p><p>Entertaining, informal, and accessible, this <strong>first-ever Military Writers Guild-sponsored anthology</strong> is ideal for: </p><ul><li>Individual creatives and scholars</li><li>Writing workshops</li><li>Classroom discussions of war literature, literary history, and popular culture</li><li>Professional development forums</li></ul><p><br>Contributors include such leading authors as: </p><ul><li><strong>Phil Klay</strong> (<em>Redeployment</em>)</li><li><strong>Vanya Eftimova Bellinger</strong> (<em>Marie von Clausewitz: The Woman Behind the Making of "On War"</em>)</li><li><strong>David Abrams</strong> (<em>Fobbit</em> and <em>Brave Deeds</em>)</li><li><strong>Alex Finley</strong> (<em>Victor in the Rubble</em> and <em>Victor in the Jungle</em>)</li><li><strong>Gayle Tzemach Lemmon</strong> (<em>Ashley's War</em> and <em>The Dressmaker of Khair Khana</em>)</li><li><strong>Thomas E. Ricks</strong> (<em>Churchill & Orwell: The Fight for Freedom; The Generals; Fiasco; The Gamble</em>)</li><li><strong>Kate Germano</strong> (<em>Fight Like a Girl: The Truth Behind How Female Marines are Trained</em>)</li><li><strong>Peter Van Buren</strong> (<em>We Meant Well</em> and <em>Hooper's War</em>)</li><li><strong>Kori Schake</strong> (<em>Safe Passage; Warriors and Citizens</em>)</li><li><strong>Max Brooks</strong> (<em>World War Z: An Oral History of the Zombie War</em>)</li><li><strong>Jessica Scott</strong> (<em>The Coming Home; Falling;</em> and <em>Homefront</em> romance series)</li><li><strong>Carmen Gentile</strong> (<em>Blindsided by the Taliban: A Journalist's Story of War, Trauma, Love, and Loss</em>)</li><li><strong>Hugh Martin</strong> (<em>In Country; Stick Soldiers;</em> and <em>So, How Was the War?</em>)</li><li><strong>Robert L. Bateman</strong> (<em>No Gun Ri: A Military History of the Korean War Incident</em> and <em>Digital War: A View from the Front Lines)</em></li><li><strong>P.W. Singer & August Cole</strong> (<em>Ghost Fleet: A Novel of the Next World War</em>)</li></ul><strong></strong>
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