<p/><br></br><p><b> About the Book </b></p></br></br>The 30 lively and diverse essays brought together in this volume--all drawn from the journal PERSPECTIVE OF NEW MUSIC--suggest possible answers to the age-old question: Why does music affect us so strongly? The writers include many of the most prominent names in both modern music and aesthetic theory, including Pierre Boulez, John Cage, Iannis Xenakis, Eric Gans, Michel Foucault, and Delmore Schwartz.<p/><br></br><p><b> Book Synopsis </b></p></br></br>Drawn from the influential journal <em>Perspectives of New Music</em>, these essays reflect a variety of artistic viewpoints and critical perspectives. The contributors include composers Pierre Boulez, John Cage, and Milton Babbitt, literary scholar Douglas Collins, anthropologist Eric Gans, philosopher Michel Foucault, and poet Delmore Schwartz. The authors contemplate music's origins and function, the changing relations between music and society, the effects of today's conflicting aesthetic notions on composition, and the relationship between music and other communicative behaviors. Taken together, the essays suggest a working aesthetic that would ensure the continual renewal of artistic tradition in Western culture.<p/><br></br><p><b> From the Back Cover </b></p></br></br>This collection helps explain why today's audiences often feel alienated from and confused by contemporary Western art music. It also asks whether there is a consensus of musical values in today's cultural climate.
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