Dante for the New Millennium - (Fordham Medieval Studies) by Teodolinda Barolini & H Wayne Storey (Paperback)
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<p/><br></br><p><b> Book Synopsis </b></p></br></br><p>The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world's great poets. <p/>The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why--and how--do we read Dante in today's global, postmodern culture? <p/>From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante's texts, his world, and what we make of his legacy. <p/>The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.</p><p/><br></br><p><b> Review Quotes </b></p></br></br><br>All in all, though, Dante for the New Millennium represents a major achievement. Thematically diverse yet tightly organized, finely edited, oriented both toward past approaches and future directions of research in the field, with--judiciously--separate bibliographies for each section, and a fine general index...the volume richly illustrates the thematic, methodological, and critical diversity of contemporary Anglo-American Dante studies.<b>-----Simon Gilson, <i>Speculum: A Journal of Medieval Studies</i></b><br><br>These scholars stand as staunch supporters of the constant need to re-evaluate Dante's medieval texts to discover what new word he has for readers that now live in a postmodern context.<b>-----Jessica Raymond, <i>Christianity & Literature</i></b><br><p/><br></br><p><b> About the Author </b></p></br></br><p>Teodolinda Barolini, past President of the Dante Society of America, is Lorenzo Da Ponte Professor of Italian at Columbia University. She is the author of <i>Dante's Poets: Textuality and Truth in the Comedy</i> and <i>The Undivine Comedy: Detheologizing Dante</i>, and the co-editor, with H. Wayne Storey, of <i>Dante for the New Millennium</i> (Fordham). <p/>H. Wayne Storey, editor of the Fordham Series in Medieval Studies, teaches at Indiana University at Bloomington.</p>
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