<p/><br></br><p><b> About the Book </b></p></br></br>Through two alternating monologues, <i>Borders</i> provides an urgent, moving and occasionally hilarious commentary on one of the great crises of our time.<p/><br></br><p><b> Book Synopsis </b></p></br></br>A celebrated war photographer, whose audience with Osama bin Laden prior to 9/11 shaped his career. A young Syrian, six months pregnant, on an ageing fishing boat in the Mediterranean, sinking fast under the weight of refugees. <p> Henry Naylor's play premiered at the 2017 Edinburgh Festival Fringe, where it won the Carol Tambor Best of Edinburgh Fringe Award and a coveted Fringe First, before North American performances at the Spoleto Festival, Charleston, and New York Theatre Workshop in 2018.<p/><br></br><p><b> Review Quotes </b></p></br></br><br>"A profound reminder of the power of art and culture." --<i>Evening Standard</i><br><p/><br></br><p><b> About the Author </b></p></br></br>Henry Naylor is a writer, performer, producer and director. He has written for many award-winning comedy shows including <em>Smith & Jones</em>, <em>The Lenny Henry Show</em>, <em>Dead Ringers</em> and <em>Alistair McGowan's Big Impression</em>. He was a lead writer on <em>Spitting Image</em>, and, together with his double-act partner Andy Parsons, he starred in nine series of <em>Parsons & Naylor's Pull-Out Sections</em> on BBC Radio 2. He also created, executive produced and directed the multi-award-winning <em>Headcases</em> for ITV1. <p>He has written plays including <em>The Collector</em> (Edinburgh Festival and Arcola Theatre, 2014), <em>Echoes</em> (Edinburgh Festival and Arcola Theatre, 2015) and <em>Angel</em> (Edinburgh Festival, 2016).
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