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<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>Envisioning the intersections of photography and performance.</b> <p/>This issue, a collaboration between <i>Aperture</i> and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. <p/> In the Words section, Tate curator <b>Simon Baker</b> traces the impulse to perform for the camera throughout photographic history; New Museum curator <b>Lauren Cornell</b> looks at how artists such as <b>K8 Hardy, Juliana Huxtable, </b> and <b>Amalia Ulman</b> use social media to calculated effect; Performa founder <b>RoseLee Goldberg</b> and MoMA curator <b>Roxana Marcoci</b> discuss performance, documentation, and the ways in which performances are crafted for the camera; and <b>Kaelen Wilson-Goldie</b> explores the lecture-performance form in the work of Lebanese artists <b>Walid Raad, Rabih Mroué, Lina Saneh, </b> and <b>Joana Hadjithomas</b> and <b>Khalil Joreige</b>. <p/> In the Pictures section, <b>Delfim Sardo</b> considers the Portuguese artist <b>Helena Almeida's</b> Inhabited Painting(s) and other works; <b>Brian Sholis</b> on the disquieting appeal of <b>Torbjørn Rødland's</b> images; <b>James Welling</b> introduces his new series Dance Project; <b>Olu Oguibe</b> on <b>Samuel Fosso's</b> recent Mao Zedong series; <b>Brian Dillon</b> on<b> Dru Donovan's</b> recreations; Performa curator <b>Adrienne Edwards</b> on how <b>Carrie Mae Weems</b> animates minimalism; a look at the role of image research in the Hong Kong-based duo <b>Zheng Mahler's</b> Performa 15 debut performance; and <b>Kristin Poor</b> explores two approaches to photographing dance, by looking at <b>Barbara Morgan's</b> enduring images of <b>Martha Graham</b>, and <b>Babette Mangolte's </b>photographs of Trisha Brown's dance performances.

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