Critical Ethnography - 3rd Edition by D Soyini Madison (Paperback)
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<p/><br></br><p><b> About the Book </b></p></br></br>What is critical ethnography? How do we use theory to interpret research data? What is performance ethnography? You can find answers to these fundamental questions in D. Soyini Madison′s engaging and highly multidisciplinary <strong>Third Edition </strong>of <strong>Critical Ethnography: Methods, Ethics, and Performance</strong>. </p> The book presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The productive links between theory and method are celebrated in this title. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that enact the interdependence between theory and method and the significance of social theory, ethics, and performance.</p> <br/> </p><p/><br></br><p><b> Book Synopsis </b></p></br></br>What is critical ethnography? How do we use theory to interpret research data? What is performance ethnography? You can find answers to these fundamental questions in D. Soyini Madison′s engaging and highly multidisciplinary <strong>Third Edition </strong>of <strong>Critical Ethnography: Methods, Ethics, and Performance</strong>. </p> The book presents a fresh new look at critical ethnography by emphasizing the significance of ethics and performance in the art and politics of fieldwork. The productive links between theory and method are celebrated in this title. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that enact the interdependence between theory and method and the significance of social theory, ethics, and performance.</p> <br/> </p><p/><br></br><p><b> Review Quotes </b></p></br></br><br><p><em>Critical Ethnography</em> is, without question, the go-to guide, practically and philosophically, for anyone interested in serious discussions about ethnography′s ethical, political, and epistemological implications. Madison′s thoughtful and compelling book has long been central to the ways in which I work with my graduate students and undergraduates on the benefits and challenges of thinking ethnographically, and this 3rd edition makes her classic offering all the more relevant for newer audiences. I look forward to assigning it in courses!</p> <br/>--John L. Jackson, Jr<br><br><p>D. Soyini Madison's work is the keystone of ethical performance ethnography where all practices in the field and on the stage are grounded in enfleshed theories of embodiment. The third edition of <em>Critical Ethnography </em>continues this scholarly foundation by offering emergent strategies to guide us through troubling times and into spaces and places of hope and possibilities.</p> <br/>--Tami Spry<br><br><p>The latest edition of <em>Critical Ethnography</em> exemplifies D. Soyini Madison¹s exemplary ability to combine rigorous theorizing and principled field pragmatics. From its expansive discussions of ethics and handling difficult interviews to its deeply generative examinations of mindfulness in the field and multi-sensory storytelling using a variety of aesthetic modes, this book is an essential guide for critical interdisciplinary qualitative researchers at all levels. It is both a toolkit and an inspiration.</p> <br/>--Judith Hamera<br><br><p>This book is indispensable. No other book shows the essential connections between method and ethics so clearly and effectively. It is as much an essential introduction to ethnography as it is an enticing invitation to a way of being in the world with others.</p> <br/>--Della Pollock<br><br><p>This remains the book I wish I had written. It is grounded in fieldwork and theoretically inclusive from Conquergood to Turner, Spry to Schechner, Pollock to Pelias, Boal to Bakhtin, auto ethnography to critical performance ethnography. Politics, ethics, action, memory, biopolitics, performative writing, the global, inquiry as praxis, it is all here.</p> <br/>--Norman Denzin<br>
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