Arrested Development and Philosophy - (Blackwell Philosophy and Pop Culture) by William Irwin & Kristopher G Phillips & J Jeremy Wisnewski
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<p/><br></br><p><b> About the Book </b></p></br></br>"A smart philosophical look at the cult hit television show, Arrested Development. Arrested Development earned six Emmy awards, a Golden Globe award, critical acclaim, and a loyal cult following-and then it was canceled. Fortunately, this book steps into the void left by the show's premature demise by exploring the fascinating philosophical issues at the heart of the quirky Bluths and their comic exploits. Whether it's reflecting on Gob's self-deception or digging into Tobias's double entendres, you'll watch your favorite scenes and episodes of the show in a whole new way. Takes an entertaining look at the philosophical ideas and tensions in the show's plots and themes. Gives you new insights about the Bluth family and other characters: Is George Michael's crush on his cousin unnatural? Is it immoral for Lindsay to lie about stealing clothes to hide the fact that she has a job? Are the pictures really of bunkers or balls? Lets you sound super-smart as you rattle off the names of great philosophers like Sartre and Aristotle to explain key characters and episodes of the show. Packed with thought-provoking insights, Arrested Development and Philosophy is essential reading for anyone who wants to know more about their late, lamented TV show. And it'll keep you entertained until the long-awaited Arrested Development movie finally comes out. (Whenever that is.)"--<p/><br></br><p><b> Book Synopsis </b></p></br></br><b>ARRESTED DEVELOPMENT <i>AND PHILOSOPHY</i></b> <p>Is George Michael's crush on his cousin unnatural? <br>Is it immoral for Lindsay to lie about stealing clothes to hide her job?<br>Is Gob better off living his life in bad faith?<br>What inferences can we draw from Tobias's double-entendres?<br>Are the pictures really of bunkers or balls? <p>The Bluth family's faults, foibles, and character flaws are so excruciatingly familiar that we squirm in painful recognition of the outrageous impulses that we all have but would never act on. The Bluths seem utterly unaware of the gaping distance between their behavior and accepted social norms. Lurking behind this craziness are large moral and philosophical issues to be explored. From Plato to Aristotle, from Descartes to Marx, <i>Arrested Development and Philosophy</i> draws from great philosophical minds to shed new light on the show's key questions and captivating themes, including the nature of self-knowledge and happiness, business ethics and capitalist alienation, social class, the role of error in character development, and much more.<p/><br></br><p><b> From the Back Cover </b></p></br></br><p>Is George Michael's crush on his cousin unnatural? <br>Is it immoral for Lindsay to lie about stealing clothes to hide her job?<br>Is Gob better off living his life in bad faith?<br>What inferences can we draw from Tobias's double-entendres?<br>Are the pictures really of bunkers or balls?</p> <p>The Bluth family's faults, foibles, and character flaws are so excruciatingly familiar that we squirm in painful recognition of the outrageous impulses that we all have but would never act on. The Bluths seem utterly unaware of the gaping distance between their behavior and accepted social norms. Lurking behind this craziness are large moral and philosophical issues to be explored. From Plato to Aristotle, from Descartes to Marx, <i>Arrested Development and Philosophy</i> draws from great philosophical minds to shed new light on the show's key questions and captivating themes, including the nature of self-knowledge and happiness, business ethics and capitalist alienation, social class, the role of error in character development, and much more.<p/><br></br><p><b> About the Author </b></p></br></br><p><b> KRISTOPHER G. PHILLIPS</b> is a PhD candidate (ABD) in the Department of Philosophy at the University of Iowa.</p> <p><b> J. JEREMY WISNEWSKI</b> is an associate professor of philosophy at Hartwick College. He is the editor of <i>Family Guy and Philosophy, The Office and Philosophy</i>, and <i>30 Rock and Philosophy</i>, and coeditor of <i>X-Men and Philosophy</i> and <i>Twilight and Philosophy</i>. <p><b>WILLIAM IRWIN</b> is a professor of philosophy at King's College. He originated the philosophy and popular culture genre of books as coeditor of the bestselling <i>The Simpsons and Philosophy</i> and has overseen recent titles including <i>House and Philosophy, Alice in Wonderland and Philosophy, </i> and <i>Mad Men and Philosophy.</i>
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